Belgian filmmaker An van. Dienderen invited Brussels-based Rosine Mbakam from Cameroon, and Paris-based Eléonore Yameogo from Burkina Faso to make a film in which their different skin colour serves to explore the limitations of the medium. Photographic media is technologically and ideologically biased, favouring white skin. Such white-centricity means that the photographic media assume, privilege and construct whiteness. Prism problematises the neutrality of the camera.
In the RAI Film Fest
, category
![[prism--Film-list-image]](/wp-content/plugins/rai-films/uploads.php?file=uploads/2023/cover/e30a9450bf7b516e07c3591c4cf80a77b002bafb.jpg&w=800&h=auto)
![[prism--Film-list-image]](/wp-content/plugins/rai-films/uploads.php?file=uploads/2023/cover/e30a9450bf7b516e07c3591c4cf80a77b002bafb.jpg&w=1053&h=auto)