Influential filmmaker, writer, composer Trinh T. Minh-ha’s latest film takes the notion of harmony in China as a site of creative manifestation. Highly valued as a virtue and a guiding criterion in ethics, harmony encompasses the fundamental principles of nature, society and humanity, summing up three main relations: harmony with society; harmony with nature; and harmony with oneself.

The viewer is invited to move between ancient wisdom, avant-garde experiment and popularfolk acumen as the film taps into the rich realm of affect, featuring a multiplicity of voices and narratives embedded in a rhythmic conversation between the still image and the moving image. Like the ancient painter who dreams of windows, the film and video maker devises mobile windows with passageways where the real and the imaginary converge on the light canvas.