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About
About RAI Film
Meet the team
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Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
RAI FILM
Login
Facebook
Instagram
Twitter
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Login
Facebook
Instagram
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Films
found one film
Country
“Afghanistan”
x
Keywords
“Music Ethnomusicology”
x
Series
“0”
x
Country of production
“United Kingdom”
x
Year of production
“1983”
x
films with a digital version
1
Region
Middle and Near East
1
Country
Afghanistan
1
x
Keywords
Dance / Theatre / Performance
1
Music / Ethnomusicology
1
x
Directors
Baily, John
1
Series
not set
1
x
Country of production
United Kingdom
1
x
Year of production
1983
1
x
Film
Herat Films: The Annual Cycle of Music in Herat
1983
54
‘
Directed by
John Baily
.
These videos were edited from seven hours of Super 8 film shot by John Baily during two years of ethnomusicological fieldwork carried out in the Herat region of western Afghanistan between 1973 and 1977. The footage was transferred and edited at the TV Unit of Queen’s University Belfast 1981-82. The non-synchronous sound is a problem at certain moments, but overall the editing has made the best of the image and sound available. All three films have a substantial amount of voice-over commentary. The films are of special interest because of the damage suffered by this region during many years of civil war. (This is the city referred to so poignantly in Baily’s later film Amir.) The Annual Cycla of Music in Herat includes performances of a variety of traditional genres of music and dance. These include sha’er-s (poets) exchanging extemporised quatrains, sorna and dohol (shawn and drum), dutar (long-necked lute) band, nai chaponi (shepherd’s flute), chahartar (long-necked lute), male singer with daireh (frame drum) and Chelu musicians singing and playing sarang (fiddle), tal (small cymbals) and daireh. Dances include atan, aushari and chub bazi.
Middle and Near East
Dance / Theatre / Performance
Music / Ethnomusicology