Films 10 Films Country "Japan" x Series "0" x Country of production "Japan" x films with a digital version 4 short films 3 Region Central Asia and Far East 9 South Asia 1 South-East Asia 1 Country Japan 10 x Nepal 1 Keywords Alternative culture 1 Animals 1 Art / Artists / Artisans 1 Dance / Theatre / Performance 2 Death 1 Gender Role and Identity 6 Health / Health care / Healing 1 History 1 Indigenous peoples / First Nations peoples 1 Labour 1 Love 1 Marriage 1 Memory 1 Migration 1 Music / Ethnomusicology 1 Popular Culture 1 Public Figure 2 Religion / Belief / Faith 1 Ritual 3 Sex / Sexuality 1 Social Change 1 Socioeconomic conditions 1 Sport 1 War / Conflict / Reconciliation 1 Directors Domenig, Aya 1 Hunt, Claire 1 Hunt, Clare 1 Kharel, Dipesh 1 Kuentz, Gaspard 1 Longinotto, Kim 5 Munro, Neil G. 1 Saito, Asami 1 Williams, Jano 3 not set 1 Series not set 10 x Country of production Finland 1 Japan 3 x Nepal 1 Switzerland 1 United Kingdom 6 Year of production 1931 1 1989 1 1992 1 1993 1 1997 1 2000 1 2012 1 2014 1 2015 2 Film list The Ainu Bear Ceremony 1931 27' Directed by Neil G. Munro . The RAI has reedited the original film of this ceremony among the Ainu people of Japan. In the bear ceremony, now no longer performed, a specially reared bear was reverently killed and its flesh and Central Asia and Far East Ritual Animals Indigenous peoples / First Nations peoples The Day the Sun Fell 2015 78' Special Interest Directed by Aya Domenig . Swiss-Japanese filmmaker Aya Domenig, the granddaughter of a doctor on duty for the Red Cross during the 1945 atomic bombing of Hiroshima, approaches the experience of her deceased grandfather by South-East Asia History Memory Health / Health care / Healing War / Conflict / Reconciliation Dream Girls 1993 50' Directed by Kim Longinotto Jano Williams . This award-winning film opens a door into the amazing world of the Takarazuka Revue, the all-female theatre troupe in Japan. Thousands of young women aspire to perform in the Revue’s glitzy musical Central Asia and Far East Public Figure Popular Culture Dance / Theatre / Performance Gender Role and Identity Eat the Kimono 1989 60' Directed by Kim Longinotto Claire Hunt . A compelling biography of Hanayagi Genshu, a feminist and dancer who spent her lifetime defying the conservative traditions of Japanese society with her radical politics and unconventional Central Asia and Far East Public Figure Gender Role and Identity Art / Artists / Artisans Dance / Theatre / Performance Alternative culture Gaea Girls 2000 106' Directed by Kim Longinotto Jano Williams . A film about courage, transformation and dreams in the extraordinary world of Japanese women's wrestling. Gaea Girls focuses on the hopes and fears of the beleaguered Gaea Japan squad, whose Central Asia and Far East Gender Role and Identity Sport The Good Wife of Tokyo 1992 52' Directed by Kim Longinotto Clare Hunt . Kazuko Hohki goes back to Tokyo with her band, the ‘Frank Chickens’, after living in England for 15 years. This wry and delightful film records her re-experiencing of Japan after a long absence, Central Asia and Far East Music / Ethnomusicology Gender Role and Identity Marriage Social Change Playing with Nan 2012 88' Directed by Dipesh Kharel Asami Saito . Playing with Nan is the story of a Nepali young man who migrated to work in a Nepali restaurant in northern Japan. The film explores his daily life at work and his family at home, which reflects South Asia Central Asia and Far East Labour Migration Socioeconomic conditions Shinjuku Boys 1997 54' Directed by Kim Longinotto Jano Williams . A film about love and gender. This film is set in the New Marilyn night club in Tokyo where all the hosts are women who have decided to live as men. They make their living by working in a club with Central Asia and Far East Gender Role and Identity Sex / Sexuality Love Uzu 2015 27' Directed by Gaspard Kuentz . Held every October in the city of Matsuyama, the Dogo Autumn Festival is one of the most violent religious festivals celebrated in Japan. Eight teams of men carrying massive portable wood shrines Central Asia and Far East Ritual Gender Role and Identity We Don't Need A Grave 2014 27' . 'We Don't Need a Grave' attempts to show how the people who choose Shizenso rather than the typical family grave try to accept one's death. Shizenso is a natural mortuary practice that has no Central Asia and Far East Religion / Belief / Faith Death Ritual