‘Adhiambo’ means ‘the one born in the evening’ in the language of the Luo of western Kenya. The film follows NyaSeme, a married mother and grandmother in her late 30s, during the last month

Years of war and ethnic conflict in the Sudan have created a generation of young men, known as the "Lost Boys", who have spent more years in refugee camps than in their home communities.

The documentary explores the local dimensions of the female circumcision debate in Kenyan societies. In a region of Kenya that is home to Muslims, Massai and Somali and crosscut by Christian

In 1998, a new movement swept through Kuria, in south western Kenya with dramatic effect. Cattle raiding fuelled by the increasing presence of guns had led to a situation of total insecurity, with

The Turkana are a group of semi-nomadic pastoralists who inhabit a harsh environment of dry thorn country in northwestern Kenya. Lorang’s Way focuses upon a Turkana elder. Having spent time away

This film was made after 'Masai Women' and in the same area. Together the two films provide a vivid view of Masai men and women and their place in Masai society. The Masai are pastoral nomads in

The Masai are cattle herders living in the East African rift valley: they grow no crops and are proud of being a non-agricultural people. Cattle are the all-important source of wealth and social

The Rendille are camel herders who live in villages and camps dotted over 10,000 square miles of desert and scrub bush in Northern Kenya. As the terrain they occupy is so dry, the Rendille grow no

Also about individuals from the Turkana in north-western Kenya (see 'Lorang’s Way' and 'A Wife Among Wives'), this film chronicles a series of events which surround the marriage of Lorang’s

This segment of the trilogy on the Turkana of northern Kenya (see 'Lorang’s Way' and 'The Wedding Camels' above) evolves around the role of women in the society. The audience follows the