Skip to content
RAI FILM
film shop
Ethnographic film catalogue
RAI Film – view on demand
Teaching resources
Prices
RAI film festival
RAI Film Festival 2025
Group rates for RAI Film Festival 2025
Prizes and awards
RAI Film Festival programme 2023
Archive of past editions
Menu
film shop
Ethnographic film catalogue
RAI Film – view on demand
Teaching resources
Prices
RAI film festival
RAI Film Festival 2025
Group rates for RAI Film Festival 2025
Prizes and awards
RAI Film Festival programme 2023
Archive of past editions
RAI FILM
Login
Facebook
Instagram
Twitter
film shop
Ethnographic film catalogue
RAI Film – view on demand
Teaching resources
Prices
RAI film festival
RAI Film Festival 2025
Group rates for RAI Film Festival 2025
Prizes and awards
RAI Film Festival programme 2023
Archive of past editions
Menu
film shop
Ethnographic film catalogue
RAI Film – view on demand
Teaching resources
Prices
RAI film festival
RAI Film Festival 2025
Group rates for RAI Film Festival 2025
Prizes and awards
RAI Film Festival programme 2023
Archive of past editions
Login
Facebook
Instagram
Twitter
Films
found one film
Directors
“Grossman, Alan”
x
Region
British-Irish Isles
1
South-East Asia
1
Country
Ireland
1
Philippines
1
Keywords
Family / Kinship
1
Labour
1
Linguistics / Language
1
Migration
1
Directors
Grossman, Alan
1
x
O’Brien, Áine
1
Series
not set
1
Country of production
Ireland
1
Year of production
2010
1
Film
Promise and Unrest
2010
79
‘
Directed by
Alan Grossman
Áine O’Brien
.
Separated from her daughter Gracelle at 7 months, Noemi Barredo left the Philippines for work in Malaysia before arriving in Ireland in 2000. Filmed over a five-year period, ‘Promise and Unrest’ is an ethnographic portrayal of a migrant woman performing caregiving and long-distance motherhood, while assuming the responsibility of providing for her extended family in the Philippines. Through the camera lens, the film observes the everyday contours of Noemi and Gracelle’s relationship, their subsequent reunion in Ireland through the `right to family reunification‘, and the beginnings of a domestic life together in the same country for the first time. The film’s narrative arc is shaped by the mother-daughter voiceover scripted by Noemi and Gracelle themselves, deliberately staged in two languages: the mother tongue Waray dialect spoken by Noemi in dialogue with an emerging adolescent and accented English – a new and acquired idiom that Gracelle is forced to learn in a new country.
South-East Asia
British-Irish Isles
Family / Kinship
Labour
Migration
Linguistics / Language
One Response
Pingback:
Dr Cai Hua – Royal Anthropological Institute
One Response