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About
About RAI Film
Meet the team
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Watch on demand
Ethnographic Film Catalogue
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RAI Film Festival
About RAI Film Festival
Film Festival 2025
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Archive of past editions
RAI FILM
Login
Facebook
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Twitter
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Login
Facebook
Instagram
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Films
found one film
with a digital version available
x
Country
“Colombia”
x
Keywords
“Indigenous peoples First Nations peoples”
x
Series
“Disappearing World Series”
x
Country of production
“United Kingdom”
x
Colour / Black and white
“Colour”
x
films with a digital version
1
x
Region
South America
1
Country
Colombia
1
x
Keywords
Indigenous peoples / First Nations peoples
1
x
Land Rights
1
Directors
Moser, Brian
1
Series
Disappearing World Series
1
x
Country of production
United Kingdom
1
x
Year of production
1971
1
Colour / Black and white
Film
Embera — the End of the Road
1971
52
‘
Directed by
Brian Moser
.
The way of life of the 10,000 Embera Indians who live in the Choco region of Colombia, South American, is threatened by the encroachments of Negro Libres (descendants of freed slaves) and by the expansion of the Pan-American highway which cuts through their land. The film’s main concern is to show the effects of interaction between the Embera river dwellers and two groups of outsiders: the Libres with whom they trade, and the local Catholic mission which administers education, religion and civil justice. Although the Embera are exploited by the Libres (who, for example, sell them hunting dogs at very high prices) both groups are poor and largely without rights in Colombian society. In an interview, the Embera explain to the anthropologist that they want protection from the physical attacks of the Libres and legal rights over the land which they have inhabited for many years. Sequences such as this bring out the Embera’s plight: they are caught between the bulldozers and the banknotes of the Libres. We are shown the material culture and way of life of the Indians (canoe building, pot making, hunting, curing rituals) but not in a romanticised way, and the polemical organisation of the film allows the ethnographic details of the life of these river Indians to be placed in a wide social and economic context.
South America
Land Rights
Indigenous peoples / First Nations peoples