Skip to content
RAI FILM
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
RAI FILM
Login
Facebook
Instagram
Twitter
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Facebook
Instagram
Twitter
Films
found one film
Keywords
“Archaeology”
and
“Death”
x
Year of production
“2020”
x
Region
Latin America
1
Country
Costa Rica
1
Keywords
Archaeology
1
x
Death
1
x
Personal Narrative
1
Directors
Ortiz, Carolina Arias
1
Series
not set
1
Country of production
Costa Rica
1
Year of production
2020
1
x
Film
Rebel Objects
2020
70
‘
Main Competition
Directed by
Carolina Arias Ortiz
.
Anthropologist and filmmaker Carolina Arias Ortiz returns to Costa Rica to visit her estranged father. When he is diagnosed with pancreatic cancer, death suddenly draws close. During this time she meets the archaeologist Ifigenia Quintanilla, who is conducting research into one of Costa Rica’s most famous cultural phenomena: the large, pre-Columbian stone spheres found scattered across the landscape, and the many myths associated with them. The filmmaker uses subdued black and white to present the gorgeous natural environment, the miraculous spheres, and other stone objects that may or may not reveal their secrets. Her voiceover, archive images, family photos, and Quintanilla’s philosophically tinged texts connect the personal with the rich history of the country’s original inhabitants.
Latin America
Archaeology
Death
Personal Narrative