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RAI FILM
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Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
RAI FILM
Login
Facebook
Instagram
Twitter
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Login
Facebook
Instagram
Twitter
Films
found one film
Keywords
“Family Kinship”
x
Series
“0”
x
Country of production
“Ireland”
x
Region
British-Irish Isles
1
South-East Asia
1
Country
Ireland
1
Philippines
1
Keywords
Family / Kinship
1
x
Labour
1
Linguistics / Language
1
Migration
1
Directors
Grossman, Alan
1
O’Brien, Áine
1
Series
not set
1
x
Country of production
Ireland
1
x
Year of production
2010
1
Film
Promise and Unrest
2010
79
‘
Directed by
Alan Grossman
Áine O’Brien
.
Separated from her daughter Gracelle at 7 months, Noemi Barredo left the Philippines for work in Malaysia before arriving in Ireland in 2000. Filmed over a five-year period, ‘Promise and Unrest’ is an ethnographic portrayal of a migrant woman performing caregiving and long-distance motherhood, while assuming the responsibility of providing for her extended family in the Philippines. Through the camera lens, the film observes the everyday contours of Noemi and Gracelle’s relationship, their subsequent reunion in Ireland through the `right to family reunification‘, and the beginnings of a domestic life together in the same country for the first time. The film’s narrative arc is shaped by the mother-daughter voiceover scripted by Noemi and Gracelle themselves, deliberately staged in two languages: the mother tongue Waray dialect spoken by Noemi in dialogue with an emerging adolescent and accented English – a new and acquired idiom that Gracelle is forced to learn in a new country.
South-East Asia
British-Irish Isles
Family / Kinship
Labour
Migration
Linguistics / Language