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RAI FILM
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About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
RAI FILM
Login
Facebook
Instagram
Twitter
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Login
Facebook
Instagram
Twitter
Films
2 Films
Keywords
“Gender Role and Identity”
and
“Ritual”
x
Country of production
“United States”
x
Colour / Black and white
“Colour”
x
films with a digital version
2
short films
1
Region
Central Asia and Far East
1
East Africa
1
Country
China
1
Uganda
1
Keywords
Gender Role and Identity
2
x
Ritual
2
x
Shamans and Shamanism
1
Directors
Hawkins, Richard
1
Rousso-Schindler, Steven
1
Seaman, Gary
1
Song, Zhifang
1
Series
Song Family Village
1
not set
1
Country of production
China
1
United Kingdom
1
United States
2
x
Year of production
1988
1
2009
1
Colour / Black and white
Film list
The Heavenly Court in Song Family Village
2009
30
‘
Directed by
Zhifang Song
Gary Seaman
Steven Rousso-Schindler
.
Religious life in the village is highly gendered, with female shamans dominating most religious activities. These shamanesses and their gods are organised as a “court”, which expresses a
Central Asia and Far East
Gender Role and Identity
Shamans and Shamanism
Ritual
Imbalu: Ritual of Manhood of the Gisu of Uganda
1988
69
‘
Directed by
Richard Hawkins
.
An insightful documentary, constructed with visual restraint, about the male circumcision ritual among the Gisu of Uganda. The narrative follows one male participant through the ritual and contrasts
East Africa
Ritual
Gender Role and Identity