The film is part of the Guardians of Productive Landscapes series and a sequel to 'Abraham and Sarah I: Creators of a productive landscape'. A Tigrean farmer and his wife, who host pilgrims to a

In the highlands of Tigray - northern Ethiopia - on the edge of the escarpment that descends steeply to the Danakil dessert, Hagos Mashisho and Desta Gidey have toiled and struggled for years to turn

Dancing Grass is a film in the Guardians of Productive Landscapes series (editor Ivo Strecker). It captures the communal harvesting of teff among Tigreans of Northern Ethiopia. Teff, an ancient

Filmmaker and anthropologist Jean Lydall has been making films with the Hamar community of southern Ethiopia since the 1970s. In 2001 she returned with her daughter and grandson to follow the

The film is a sequel to former films on Hamar directed by Jean Lydall and Kaira Strecker, and contributes to the Guardians of Productive Landscapes series. Kaira's childhood friend Shawa moved as a

From conflict to construction — this is the story of two disabled ex-fighters rebuilding their lives. What does the future hold for them in Eritrea, the homeland to which they are committed?

This film reveals contradictions in the lives of Egyptian women in Muslim society. Living abroad, Safaa Fathy returns to Egypt to interview the internationally renowned feminist writer Nawal El

In Aiye’s Garden is a film in the Guardians of Productive Landscapes series (editor Ivo Strecker). Enset, which is related to the banana plant, is very drought resistant and a good source of

Shot in 1989, Kafi's Story captures Nuba life at the moment before it was engulfed in the Sudanese civil war. Kafi narrates his own story into a portable tape record as he travels from his village,

*'The Kwegu' is an entirely tasteful and dignified presentation of the harsh realities of subsistence living, and it may help us understand how, even in stateless societies, dominated groups come to

When they emigrated to Europe in the 60’s and 70’s, Moroccans brought with them their culture and their “diseases” ( caused by the the jinn that inhabit some of them). In Europe, most North

The Migrants is the third film in the trilogy 'In Search of Cool Ground' for Granada Television's Disappearing World series. It is about a drought-induced migration of Mursi from their traditional

The Mursi, an unadministered tribe living in remote south-west Ethiopia, are a cattle-keeping and agricultural group without chiefs or leaders. This film, made under extremely difficult conditions,

A further visit to the Mursi of Southern Ethiopia with whom contact was established 17 years ago, for an important coming of age ceremony which has had to be postponed many times. An elder of the

The proper time for a man to go through the Age Set Ceremony, the nitha, is just as he reaches physical maturity. But many years may elapse from one nitha to the next, so it is inevitable that some

Ten years after he made 'Kafi's Story', director Arthur Howes returns to the Sudan to find the members of the Nuba who featured in his earlier documentary film. Soon after he had left the Sudan, the

The weekly wrestling tournaments of the Sudanese Nuba migrants in Khartoum usually take place between Northern and Southern Nuba men. The sport helps them strengthen their ethnic identity in a

On the North African coast in Ceuta, illegal migrants wait and hope to eventually continue onto the Spanish peninsula where they can attain asylum. Whilst waiting there, they are caught bewteen the borders.

Against the backdrop of political upheaval, an ancient network of orchards thrives in the mountains of the Sinai desert. Filmmaker Bryony Dunne shadows two Bedouins as they nurture their gardens and

In 1987 Sudanese government forces attacked the Uduk of Southern Sudan, and 20-25000 Uduk fled. Since then they have criss-crossed the Sudanese/Ethiopian border 5 times. In the spring of 1992, 13000

The film recounts the life of children living on the street in Gondar, Ethiopia, by witnessing the interaction between two children and the filmmaker. The entire film was shot in the room of Ethiopia

This film presents a compelling visual and aural analysis of Shilluk kingship in 1975, and provides a very useful complement to Evans-Pritchard's 1948 text, The Divine Kingship of the Shilluk.

A film about mobility, human creativity, and technology in a Sudanese truck community. The English Bedford-Lorry was introduced to Sudan in the late 1960s. Since then, local craftsmen technically

In Marrakech, traditional attitudes to women prevail perhaps more strongly than in other Moroccan cities. This is especially true for those women who live by the standards of traditional ideals in

This film is about a group of nomadic Tuareg living high up in the Hoggar Mountains near Tamanrasset in Algeria. The main focus of the film is the collapse of the former economic basis of their