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About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
RAI FILM
Login
Facebook
Instagram
Twitter
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Login
Facebook
Instagram
Twitter
Films
found one film
Region
“South America”
x
Keywords
“Popular Culture”
x
Directors
“Pereira, Nilton”
x
Series
“0”
x
Country of production
“Brazil”
x
Colour / Black and white
“Colour”
x
Region
South America
1
x
West Africa
1
Country
Brazil
1
Ghana
1
Keywords
Collective / Community identity
1
Memory
1
Migration
1
Music / Ethnomusicology
1
Popular Culture
1
x
Race / Racism / Antiracism
1
Tourism / Travel / Pilgrimage
1
Directors
Diaz, Juan Diego
1
Pereira, Nilton
1
x
Series
not set
1
x
Country of production
Brazil
1
x
Year of production
2017
1
Colour / Black and white
Film
Tabom in Bahia
2017
52
‘
Directed by
Juan Diego Diaz
Nilton Pereira
.
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for better life opportunities, and in search of their ancestral roots. They were received by the Ga people in British, Danish and Dutch-dominated Accra and gradually integrated to this group and to the larger Ghanaian society. However, despite the fact that they no longer speak Portuguese and that most have never set foot in Brazil, they still cherish Brazil and have never given up their dream to visit Bahia, their ancestral homeland. Master drummer Eric Odwarkei Morton is one of many Tabom who has dreamt all his life about visiting Bahia. He is a sixth generation Tabom and a key member of his community who presides religious and funerary ceremonies through song, drumming, and prayers. Tabom in Bahia documents Eric’s journey to Brazil and also his preparation for the trip in Accra. The three-week journey took him to urban and rural locations in Salvador, Cachoeira, Santo Amaro, and Valença. Eric met with capoeira and samba-de-roda masters, Candomblé dancers, musicians, and spiritual leaders, members of carnival associations, music teachers and students, and black activists. He was received with anticipation and treated with utmost respect by an Afro-Bahian community that cherishes their African heritage. During the trip Eric not only discovered capoeira, samba-de-roda, samba-reggae, ijexa, and various Candomblé traditions, but also shared agbe, the musical style that he commands. Ethnomusicologist: Juan Diego Diaz
South America
West Africa
Music / Ethnomusicology
Collective / Community identity
Memory
Migration
Popular Culture
Race / Racism / Antiracism
Tourism / Travel / Pilgrimage