Jero Tapakan is ‘entered’ by deities and spirits who converse with her clients. Unbeknown to her, they wish to contact the spirit of their dead son to learn the cause of his death and his wishes

This film is a record of the gren mahe rituals of the people of the domain of Wai Brama. The gren mahe is the largest religious event of the Wai Brama ceremonial system and requires the participation

Jero beings with an account of her family’s extreme poverty that culminated in her desire to leave her family and travel as a pedlar. She describes mystical experiences that led her to recognise

For the first time Jero sees herself on film as she watches 'A Balinese Trance Séance'. Her spontaneous comments provide insights into her feelings while possessed, her understanding of her

Jero uses massage and traditional medicines to treat Ida Bagus, who suffers from sterility and seizures. Through her treatment and her words, Jero reveals her conceptions of the human body, the

In 1978, as part of the preparations for the island-wide ceremony eka dasa rudra, religious officials urged all Balinese to cleanse the island by cremating their dead. Many were forced to pool

Haji Omar and his three sons belong to the Lakenkhel, a Pashtun tribal group in northeastern Afghanistan. Concentrating within one family, the film draw sharp, colourful portraits of the protagonists

The film begins as the groom’s side gathers the animals and money for a bridewealth payment, and discusses problems that might arise in negotiating the exchange. In ritual silence, they walk to the

This film examines the ecology and poetry of everyday life. Two Rotinese narrate this film, each offering his perception of the importance of the Lontar (Borassus) palm: a clan leader describes the