These companion films examine the philosophy and ritual practices of the followers of a holy man popularly known as Embah Wali. The movement, centred in Blitar, East Java, regards wayang as a model

Jero beings with an account of her family’s extreme poverty that culminated in her desire to leave her family and travel as a pedlar. She describes mystical experiences that led her to recognise

For the first time Jero sees herself on film as she watches 'A Balinese Trance Séance'. Her spontaneous comments provide insights into her feelings while possessed, her understanding of her

Jero uses massage and traditional medicines to treat Ida Bagus, who suffers from sterility and seizures. Through her treatment and her words, Jero reveals her conceptions of the human body, the

In 1993, Anthony Forge filmed the cremation of an older woman from an affluent ‘commoner’ family. As her body was moved from her family compound to the cremation tower, men of the ward seized the

The film begins as the groom’s side gathers the animals and money for a bridewealth payment, and discusses problems that might arise in negotiating the exchange. In ritual silence, they walk to the

Once a year a ritual is held in a Javanese village. After a distribution of food, men dance with professional female dancers. Their allegedly sexual ethos makes these ‘tayuban’ unacceptable as

This film examines the ecology and poetry of everyday life. Two Rotinese narrate this film, each offering his perception of the importance of the Lontar (Borassus) palm: a clan leader describes the