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RAI FILM FESTIVAL 2019
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Directors
Asadi Faezi, Daniel
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Cabezas Pino, Angélica
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Dietrich, Martha-Cecilia
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Holtedahl, Lisbet
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2017
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2019
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2019
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RAI Basil Wright
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Special Interest
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Film list
The Absence of Apricots
2018
49
'
Student
Directed by
Daniel Asadi Faezi
.
In the Hunza Valley in the northern Pakistan there is a magnificent turquoise lake. But the lake hasn’t been always there: it is the result of a massive landslide that blocked a river, causing
South Asia
Environment
Memory
Development projects
Resettlement
Horror in the Andes
2019
33
'
Special Interest
Directed by
Martha-Cecilia Dietrich
.
Horror in the Andes is a behind-the-scenes documentary that follows the process of making a horror movie in Ayacucho, Peru. Directed by audio-visual anthropologist Martha-Cecilia Dietrich, it
South America
Art / Artists / Artisans
Dance / Theatre / Performance
Ethnofiction
Film / Photography / Mass media
Indigenous peoples / First Nations peoples
This is My Face
2018
57
'
Student
Directed by
Angélica Cabezas Pino
.
In Chile, people living with HIV fear stigma, and often conceal their condition and remain silent about what they are going through. This is My Face explores what happens when a range of men living
South America
LGBTQI*
Participatory / Collaborative methods
Health / Health care / Healing
Gender Role and Identity
Film / Photography / Mass media
Memory
Life Story / Life History
Art / Artists / Artisans
Tindaya Variations
2018
40
'
Special Interest
Directed by
Isaac Marrero-Guillamon
.
The mountain of Tindaya (Fuerteventura, Canary Islands) is more than a mountain. It was a sacred site for the indigenous people of Fuerteventura; later, its rock was quarried and sold for ornamental
Western Mediterranean
Archival material / Museum displays
Art / Artists / Artisans
Environment
Material Culture
Indigenous peoples / First Nations peoples
Archaeology
Wives
2017
85
'
RAI Basil Wright
Directed by
Lisbet Holtedahl
.
Alhajji Ibrahim is an Islamic scholar who has served as judge at the Sultanate of Ngaoundéré in Northern Cameroon for 46 years. The film follows Alhajji during the last years of his life, focusing
West Africa
Family / Kinship
Everyday Life
Gender Role and Identity
Marriage
Personal Narrative
Religion / Belief / Faith
Social Norms