"Autumn’s Work" follows Bill Coperthwaite as he prepares for winter. Wrestling with a large felled tree amidst its vast tangle of branches, Bill slowly and methodically breaks it down

Shot in Cameroon and Brussels, 'Je ne suis pas moi-même' examines the complex network surrounding the international market of African antiquities, and the contradictions in a European art market

The film is about the encounter between tradition and modernity. In a small village of Papua New Guinea three exceptional men rival with each other in the field of rituals and artistic creation in

The film is a brief description of life in a busy commercial centre that still depends upon and retains its ancient traditions. These are based on the history of the town which was founded on the

This is a collaborative documentary about arts, culture and everyday life inside a prison for minors. It was shot during a photography and video workshop with young inmates at the Juvenile Community

Five years ago, one of the oldest industrial buildings of Charleroi- ‘les Forges de la Providence’- was saved from demolition being brought by two citizens: Thierry Camuy and Mika Hell. Together

A film about mobility, human creativity, and technology in a Sudanese truck community. The English Bedford-Lorry was introduced to Sudan in the late 1960s. Since then, local craftsmen technically

"Spring in Dickinson’s Reach" provides an introduction to the unique environment that Bill Coperthwaite has crafted in the Maine forest. Beginning in early spring, the film follows

"A Summer Task" examines the rhythm and tempo of work in the forest. The film follows Bill Coperthwaite and his cousin, Steve, as they fell and haul trees to build a bridge and begin

"Winter Days" evokes the stillness and quietness of the forest in winter. Life is lived close to the stove. It’s a time for small tasks and chores – making a wedge, sewing a pocket, the