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Film list
Asante Market Women
1982
52
'
Directed by
Claudia Milne
.
As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this Disappearing World film have
West Africa
Marriage
Trade
Gender Role and Identity
Atieno
2018
64
'
Directed by
June Ndinya
Effie Awino
Ruth Njoki
Lavine Atieno
Dorcas Akin
.
Atieno is a collaborative fiction film scripted, acted and directed by DreamGirls, a group of adolescent girls and young women from Nairobi and Kisumu. The film tells of Atieno, a 16 year old girl
East Africa
Health / Healthcare / Healing
Children / Young people
Gender Role and Identity
Ethnofiction
Dance / Theatre / Performance
Participatory / Collaborative methods
Sex / Sexuality
Every Good Marriage Begins With Tears
2007
63
'
Directed by
Simon Chambers
.
East London Muslim girl Shahanara is changing form pink hot pants into a sari to meet her husband at the airport. She has only met him once before, when she was married in a union arranged by her
London
Family / Kinship
Gender Role and Identity
Marriage
Intergenerational relations
Social Norms
Fatmawati's Wedding: the Weddings of two Sisters, the Preparations
1998
50
'
Directed by
Fiona Kerlogue
.
This film records the preparations for the wedding of two sisters in eastern Sumatra in December 1996. There is an emphasis on the importance of the role of women in the village. Ritual exchanges
South-East Asia
Gender Role and Identity
Marriage
Ritual
Material Culture
Fatuma and Asya. Two Afar Girls in Ethiopia
2014
59
'
Directed by
Francesco Sincich
.
Two young Afar girls, Fatuma (10) and Asya (13), show us their daily life in two different contexts of the Afar Region in Ethiopia. Both of them face hard challenges: finding an alternative way to
West Africa
Gender Role and Identity
Marriage
Children / Young people
Rural
Gelede: A Yoruba Masquerade
1970
30
'
Directed by
Frank Speed
Peggy Harper
.
Among the Yoruba of Western Nigeria and Dahomey the Gelede cult honours the earth spirits, the ancestors and especially the Great Mother. The festival filmed here emphasises the status of women and
West Africa
Gender Role and Identity
Ritual
Festivals / Carnival
Social Conflict
The Herders of Mongun-Taiga
1989
52
'
Directed by
John Sheppard
.
The Tuvinians live deep inside the Soviet Union, at the very centre of Asia. Tuva is geographically closer to Peking than to Moscow. It only entered the USSR in 1944 and was closed to foreigners
Central Asia and Far East
Herding
Nomads and Nomadism
Shamans and Shamanism
Gender Role and Identity
Social Change
Imbalu: Ritual of Manhood of the Gisu of Uganda
1988
69
'
Directed by
Richard Hawkins
.
An insightful documentary, constructed with visual restraint, about the male circumcision ritual among the Gisu of Uganda. The narrative follows one male participant through the ritual and contrasts
East Africa
Ritual
Gender Role and Identity
Keepers of the Faith: The Buddhist Nuns of Sagaing Hills
1996
51
'
Directed by
Hiroko Kawanami
.
In the Sagaing Hills, 12 miles from the ancient capital of Mandalay are hundreds of pagodas, stupas, monasteries and nunneries which form a focal point of worship for Buddhism in Burma. In 1986 the
South-East Asia
Religion / Belief / Faith
Collective / Community identity
Gender Role and Identity
Masai Manhood
1975
52
'
Directed by
Chris Curling
.
This film was made after 'Masai Women' and in the same area. Together the two films provide a vivid view of Masai men and women and their place in Masai society. The Masai are pastoral nomads in
East Africa
Gender Role and Identity
Social Change
Ritual
Social Organisation
Nomads and Nomadism
Herding
Masai Women
1974
52
'
Directed by
Chris Curling
.
The Masai are cattle herders living in the East African rift valley: they grow no crops and are proud of being a non-agricultural people. Cattle are the all-important source of wealth and social
East Africa
Gender Role and Identity
Social Change
Ritual
Social Organisation
Nomads and Nomadism
Herding
Mirror Mirror
2006
58
'
Directed by
Zemirah Moffat
.
Mirror Mirror is based on an audio-visual ethnography of London’s queer Club Wotever. Begun in the autumn of 2003, it promoted itself as a club that welcomed all genders and sexualities – a
British-Irish Isles
LGBTQI*
Sex / Sexuality
Gender Role and Identity
Mursi: Nitha
1991
52
'
Directed by
Leslie Woodhead
.
The proper time for a man to go through the Age Set Ceremony, the nitha, is just as he reaches physical maturity. But many years may elapse from one nitha to the next, so it is inevitable that some
North and Northeast Africa
Ritual
Social Conflict
Gender Role and Identity
Nuba Wrestling
1991
42
'
Directed by
Rolf Husmann
Werner Sperschneider
.
The weekly wrestling tournaments of the Sudanese Nuba migrants in Khartoum usually take place between Northern and Southern Nuba men. The sport helps them strengthen their ethnic identity in a
North and Northeast Africa
Collective / Community identity
Gender Role and Identity
Urban
Sport
The Pathans
1980
52
'
Directed by
André Singer
Andy Harries
.
There are twelve million Pathans. Bound by a common language, a common heritage and the unifying force of Islam, these proud and independent people do not acknowledge the geographical boundary which
South Asia
War / Conflict / Reconciliation
Social Organisation
Gender Role and Identity
Q2P
2006
55
'
Directed by
Paromita Vohra
.
Q2P is a film about toilets and the city. It sifts through the dream of Mumbai as a future Shanghai and searches for public toilets, watching who has to queue to pee. As the film observes who has
South Asia
Gender Role and Identity
Urban
Socioeconomic conditions
Some Women of Marrakech
1977
52
'
Directed by
Melissa Llewelyn-Davies
.
In Marrakech, traditional attitudes to women prevail perhaps more strongly than in other Moroccan cities. This is especially true for those women who live by the standards of traditional ideals in
North and Northeast Africa
Gender Role and Identity
Labour
Dance / Theatre / Performance
Social Norms
Tayuban: Dancing the Spirit in Java
1996
30
'
Directed by
Felicia Hughes-Freeland
.
Once a year a ritual is held in a Javanese village. After a distribution of food, men dance with professional female dancers. Their allegedly sexual ethos makes these ‘tayuban’ unacceptable as
South-East Asia
Ritual
Dance / Theatre / Performance
Sex / Sexuality
Gender Role and Identity
This is My Face
2018
57
'
Student
Directed by
Angélica Cabezas Pino
.
In Chile, people living with HIV fear stigma, and often conceal their condition and remain silent about what they are going through. This is My Face explores what happens when a range of men living
South America
LGBTQI*
Participatory / Collaborative methods
Health / Health care / Healing
Gender Role and Identity
Film / Photography / Mass media
Memory
Life Story / Life History
Art / Artists / Artisans
Transfiction
2007
58
'
Directed by
Johannes Sjøberg
.
Transfiction explores 'ethnofiction' - an experimental ethnographic documentary film style in which the participants collaborate with the filmmaker to act out their own and others' life experiences
South America
Reflexivity
Film / Photography / Mass media
Gender Role and Identity
Sex / Sexuality
LGBTQI*
Ethnofiction
The Trobriand Islanders of Papua New Guinea
1990
52
'
Directed by
David Wason
.
The Trobriand Islands lie off the eastern tip of Papua New Guinea. The island society has a complex balance of male authority and female wealth. Magic spells and sorcery pervade everyday life.
Melanesia
Gender Role and Identity
Festivals / Carnival
Ritual
Without Fathers or Husbands
1995
26
'
Directed by
Hua Cai
.
The Na are an ethnic group in south-east China. Their particularity is that all the members of each household are consanguineous relatives; their social organisation is absolutely matrilineal and as
South-East Asia
Family / Kinship
Collective / Community identity
Gender Role and Identity
Sex / Sexuality
Wives
2017
85
'
RAI Basil Wright
Directed by
Lisbet Holtedahl
.
Alhajji Ibrahim is an Islamic scholar who has served as judge at the Sultanate of Ngaoundéré in Northern Cameroon for 46 years. The film follows Alhajji during the last years of his life, focusing
West Africa
Family / Kinship
Everyday Life
Gender Role and Identity
Marriage
Personal Narrative
Religion / Belief / Faith
Social Norms