Shot in Cameroon and Brussels, 'Je ne suis pas moi-même' examines the complex network surrounding the international market of African antiquities, and the contradictions in a European art market

In Berlin, where low rents and space for creative ideas are still available, self-employed workers live the alternative to a nine-to-five-job. A sewing café owner, a freelance journalist and two

The film explores how ancient traditions of poetry are still used in contemporary Yemen to discuss social and political problems.

A film about mobility, human creativity, and technology in a Sudanese truck community. The English Bedford-Lorry was introduced to Sudan in the late 1960s. Since then, local craftsmen technically