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4 Films
Keywords
"Marriage"
x
Country of production
"Australia"
x
Film Festival Year
"0"
x
short films
1
films available on demand
2
Section
Sales
4
Status
films with no status
0
show deleted films
0
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0
show public and none-public films
4
show public films
4
Region
East Africa
2
Melanesia
1
South-East Asia
1
Country
Indonesia
1
Kenya
2
Papua New Guinea
1
Keywords
Animals
1
Family / Kinship
3
Gender Role and Identity
1
Herding
1
Marriage
4
x
Possession
1
Ritual
2
Directors
Asch, Patsy
1
Asch, Timothy
1
Fox, James J.
1
MacDougall, David
2
MacDougall, Judith
2
Owen, Chris
1
Series
ANU, Indonesia Series
1
Turkana Conversations
2
not set
1
Country of production
Australia
4
x
Papua New Guinea
1
United States
2
Year of production
1976
1
1981
1
1988
1
2000
1
Film Festival Year
not set
4
x
Event type
not set
4
Festival Prize Category
not set
2
not set
2
Review Status
not set
4
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4
Film list
Bridewealth for a Goddess
2000
72
'
Directed by
Chris Owen
.
A unique insight into a secret spirit cult among the Kawelka people in the Western Highlands of Papua New Guinea. After a dream, a clan leader initiates a long and complex 'work’, when he and a
Melanesia
Ritual
Marriage
Possession
Spear and Sword: a Payment of Bridewealth on the Island of Roti
1988
22
'
Directed by
James J. Fox
Timothy Asch
Patsy Asch
.
The film begins as the groom’s side gathers the animals and money for a bridewealth payment, and discusses problems that might arise in negotiating the exchange. In ritual silence, they walk to the
South-East Asia
Ritual
Marriage
Family / Kinship
The Wedding Camels
1976
108
'
Directed by
Judith MacDougall
David MacDougall
.
Also about individuals from the Turkana in north-western Kenya (see 'Lorang’s Way' and 'A Wife Among Wives'), this film chronicles a series of events which surround the marriage of Lorang’s
East Africa
Family / Kinship
Marriage
Animals
Herding
A Wife Among Wives
1981
72
'
Directed by
Judith MacDougall
David MacDougall
.
This segment of the trilogy on the Turkana of northern Kenya (see 'Lorang’s Way' and 'The Wedding Camels' above) evolves around the role of women in the society. The audience follows the
East Africa
Gender Role and Identity
Marriage
Family / Kinship