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4 Films
Keywords
"Reflexivity"
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Year of production
"2016"
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films with a digital version
3
films available on demand
2
Section
RAI FILM FESTIVAL 2017 Film Library
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6
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4
Region
South America
2
Western Europe
2
Country
Brazil
1
Colombia
1
France
2
Keywords
Essay film
1
Ethnofiction
2
Film / Photography / Mass media
1
Indigenous peoples / First Nations peoples
1
Informant-researcher relationship
1
Labour
2
Migration
2
Reflexivity
4
x
Religion / Belief / Faith
1
Sex / Sexuality
2
Social Change
1
Directors
Fossgard-Moser, Titus
1
Mai, Nick
2
van de Port, Mattijs
1
Series
not set
4
Country of production
France
2
Netherlands
1
Norway
1
Year of production
2016
4
x
Film Festival Year
not set
1
2017
3
Event type
not set
4
Festival Prize Category
Special Interest
2
not set
2
Review Status
Accepted
2
Film library
1
not set
1
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4
Film list
Ignacio's Legacy
2016
52
'
Special Interest
Directed by
Titus Fossgard-Moser
.
Between 1960 and 1992, the acclaimed documentary filmmaker Brian Moser made four films concerning indigenous peoples of northwest Amazonia: "Piraparana" (1960), "War of the Gods"
South America
Film / Photography / Mass media
Social Change
Reflexivity
Indigenous peoples / First Nations peoples
The Possibility of Spirits
2016
72
'
Directed by
Mattijs van de Port
.
What is it that you film when you film a spirit? I was brought up to believe that spirits do not exist. Years of research on an afro-Brazilian spirit possession cult taught me the limits of such
South America
Essay film
Religion / Belief / Faith
Reflexivity
Travel
2016
63
'
Special Interest
Directed by
Nick Mai
.
(This version of the film is edited using a single screen. For the split screen version see 'Travel - double screen version'). Joy left Nigeria to help her family after her father’s death. She
Western Europe
Sex / Sexuality
Labour
Migration
Ethnofiction
Informant-researcher relationship
Reflexivity
Travel (double screen)
2016
63
'
Directed by
Nick Mai
.
(This version of the film uses a split-screen device throughout. For the single screen version see 'Travel'). Joy left Nigeria to help her family after her father’s death. She knew that she was
Western Europe
Sex / Sexuality
Labour
Migration
Ethnofiction
Reflexivity