Anthropologist Peter Sutton is taken by an Aboriginal family, the Naponans, to map hereditary clan country in northern Queensland where they hope to live one day. To the children it is all new; to an

The film is a sequel to former films on Hamar directed by Jean Lydall and Kaira Strecker, and contributes to the Guardians of Productive Landscapes series. Kaira's childhood friend Shawa moved as a

This film records the preparations for the wedding of two sisters in eastern Sumatra in December 1996. There is an emphasis on the importance of the role of women in the village. Ritual exchanges

Bagolino and Ponte Caffaro host the largest surviving ensemble of folk violin in the Alps, which makes Carnival a leap back into the Renaissance roots of the violin itself. This film is part of

The summer draws to a close, but the season is not yet over. Work continues -- baiting and hauling traps, sorting and shipping lobsters. There are always tasks to be done. But within the daily

In a series of interviews in his London home and the London School of Economics, Sir Raymond Firth talks about his life and some of his personal views. The film focuses thus on his Maori studies,

The peak of the lobster season has arrived. George works closely with his son and grandson to repair their float ravaged by high tides, strong winds and the constant erosion of salt water. Towing

In the days before DVD and satellite television, the cinema was important to London’s Turkish speaking population as a place to meet and as a link with home. Eight individuals recount their

The film portrays a vibrant range of contemporary and historical images by artists and photographers in Ghana. While glancing through the history of black & white photography in Ghana, the film