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Fossgard-Moser, Titus
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Kawase, Itsushi
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Mai, Nick
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Film list
Ignacio's Legacy
2016
52
'
Special Interest
Directed by
Titus Fossgard-Moser
.
Between 1960 and 1992, the acclaimed documentary filmmaker Brian Moser made four films concerning indigenous peoples of northwest Amazonia: "Piraparana" (1960), "War of the Gods"
South America
Film / Photography / Mass media
Social Change
Reflexivity
Indigenous peoples / First Nations peoples
Out of Focus
2013
37
'
Directed by
Adrian Arcé
Antonio Zirión
.
This is a collaborative documentary about arts, culture and everyday life inside a prison for minors. It was shot during a photography and video workshop with young inmates at the Juvenile Community
Central America
Children / Young people
Prison
Art / Artists / Artisans
Reflexivity
Room 11, Ethiopia Hotel
2006
23
'
Directed by
Itsushi Kawase
.
The film recounts the life of children living on the street in Gondar, Ethiopia, by witnessing the interaction between two children and the filmmaker. The entire film was shot in the room of Ethiopia
North and Northeast Africa
Children / Young people
Squatter Settlements / Homelessness
Informant-researcher relationship
Reflexivity
Transfiction
2007
58
'
Directed by
Johannes Sjøberg
.
Transfiction explores 'ethnofiction' - an experimental ethnographic documentary film style in which the participants collaborate with the filmmaker to act out their own and others' life experiences
South America
Reflexivity
Film / Photography / Mass media
Gender Role and Identity
Sex / Sexuality
LGBTQI*
Ethnofiction
Travel
2016
63
'
Special Interest
Directed by
Nick Mai
.
(This version of the film is edited using a single screen. For the split screen version see 'Travel - double screen version'). Joy left Nigeria to help her family after her father’s death. She
Western Europe
Sex / Sexuality
Labour
Migration
Ethnofiction
Informant-researcher relationship
Reflexivity
Travel (double screen)
2016
63
'
Directed by
Nick Mai
.
(This version of the film uses a split-screen device throughout. For the single screen version see 'Travel'). Joy left Nigeria to help her family after her father’s death. She knew that she was
Western Europe
Sex / Sexuality
Labour
Migration
Ethnofiction
Reflexivity