It is the year 2000 and most of Afghanistan is under the control of the Taliban. Hearing that many of Afghanistain’s musicians are now in exile across the border in Pakistan, ethnomusicologist John

When Granada Television visited Afghanistan to make the award-winning Disappearing World 'The Kirghiz', they were a proud, independent, nomadic people who made their living by rearing herds of yaks

Years of war and ethnic conflict in the Sudan have created a generation of young men, known as the "Lost Boys", who have spent more years in refugee camps than in their home communities.

A portrait of Syrian refugee Mohammed, a 12-year-old shoe shine boy, 'Boya Boya (Shine Shine)' looks at the reality of the growing population of urban refugees from a child's point of view. While

A community of Kurds resident in Iran on the border with Iraq forms the subject of this film. Many of the inhabitants of the community are refugees from Kurdish areas of Iraq and the villagers are

A refugee known only as Alberto flies from Athens to Brussels on a fake passport. Three years later, a small crew from Berlin tries to make a film by shooting the landscape of his transit. Things

The Migrants is the third film in the trilogy 'In Search of Cool Ground' for Granada Television's Disappearing World series. It is about a drought-induced migration of Mursi from their traditional

Ten years after he made 'Kafi's Story', director Arthur Howes returns to the Sudan to find the members of the Nuba who featured in his earlier documentary film. Soon after he had left the Sudan, the

In 1987 Sudanese government forces attacked the Uduk of Southern Sudan, and 20-25000 Uduk fled. Since then they have criss-crossed the Sudanese/Ethiopian border 5 times. In the spring of 1992, 13000

The film is the sequel to 'We are all Neighbours', the 1993 Granada Disappearing World film, about the breakdown of relations between Muslims and Croats as war overtakes their ethnically mixed

Sofia and her family lost their village home in 1975 when Turkey invaded Cyprus. The film, mainly set in Nicosia in 1983, shows the pressures of refugee economic recovery through shift work in a

Ethnomusicologist John Baily visits Fremont, California, the new home of the large community of exiled Afghans. He is joined by Kabuli master-musician, Ustad Asif Mahmoud, who plans to open a small