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RAI FILM FESTIVAL 2019
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Region
South America
3
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Country
Brazil
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Cameroon
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Chile
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France
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Keywords
Animation
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Art / Artists / Artisans
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Children / Young people
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Dance / Theatre / Performance
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Development projects
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Essay film
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Ethnofiction
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Everyday Life
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Family / Kinship
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Film / Photography / Mass media
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Gender Role and Identity
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Health / Health care / Healing
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Indigenous peoples / First Nations peoples
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Love
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Participatory / Collaborative methods
3
Personal Narrative
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Reflexivity
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Religion / Belief / Faith
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Research methods
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Resettlement
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Rural
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Social Norms
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Squatter Settlements / Homelessness
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Directors
Asadi Faezi, Daniel
1
Barreiro, Georgina
1
Cabezas Pino, Angélica
1
D'onofrio, Alexandra
1
Dietrich, Martha-Cecilia
1
Holtedahl, Lisbet
1
van Lanker, Laurent
1
van de Port, Mattijs
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Series
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8
Country of production
Argentina
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Belgium
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Chile
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Germany
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Italy
1
Netherlands
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Norway
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Pakistan
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Peru
1
United Kingdom
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Year of production
2017
2
2018
5
2019
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Film Festival Year
2019
8
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8
Festival Prize Category
Intangible Culture
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RAI Basil Wright
2
Special Interest
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Student
3
Review Status
Accepted
8
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Film list
The Absence of Apricots
2018
49
'
Student
Directed by
Daniel Asadi Faezi
.
In the Hunza Valley in the northern Pakistan there is a magnificent turquoise lake. But the lake hasn’t been always there: it is the result of a massive landslide that blocked a river, causing
South Asia
Environment
Memory
Development projects
Resettlement
Horror in the Andes
2019
33
'
Special Interest
Directed by
Martha-Cecilia Dietrich
.
Horror in the Andes is a behind-the-scenes documentary that follows the process of making a horror movie in Ayacucho, Peru. Directed by audio-visual anthropologist Martha-Cecilia Dietrich, it
South America
Art / Artists / Artisans
Dance / Theatre / Performance
Ethnofiction
Film / Photography / Mass media
Indigenous peoples / First Nations peoples
IT WAS TOMORROW
2018
53
'
Student
Directed by
Alexandra D'onofrio
.
After living in Italy for almost ten years without documents, three Egyptian men - Ali, Mahmoud and Mohamed - are suddenly awarded legal residence. As a whole new world of opportunities opens up to
Western Mediterranean
Animation
Art / Artists / Artisans
Dance / Theatre / Performance
Film / Photography / Mass media
Life Story / Life History
Memory
Migration
Research methods
Participatory / Collaborative methods
Kalès
2017
63
'
RAI Basil Wright
Directed by
Laurent van Lanker
.
A film of wind and despair, of fire and solidarity, of hope and hell. An intimate and inside perspective of the ‘jungle’ of Calais, evoked through a polyphony of bodies, tales, and
Western Europe
Migration
Refugees / Displaced populations
Squatter Settlements / Homelessness
Participatory / Collaborative methods
Knots and Holes. An Essay Film on the Life of Nets.
2018
74
'
Special Interest
Directed by
Mattijs van de Port
.
A singular anthropological essay film that observes the various nets we find across different contexts in Bahia (from fishing nets to delicate nets of lace), and the emotions and sensations
South America
Essay film
Reflexivity
Love
Tara's footprint
2018
70
'
Intangible Culture
Directed by
Georgina Barreiro
.
Tara's Footprint skilfully conjures the atmosphere of Khechuperi, a village in the Himalayas in north eastern India. Eschewing standard exposition the film follows four young siblings as they go
South Asia
Children / Young people
Dance / Theatre / Performance
Everyday Life
Music / Ethnomusicology
Religion / Belief / Faith
Rural
This is My Face
2018
57
'
Student
Directed by
Angélica Cabezas Pino
.
In Chile, people living with HIV fear stigma, and often conceal their condition and remain silent about what they are going through. This is My Face explores what happens when a range of men living
South America
LGBTQI*
Participatory / Collaborative methods
Health / Health care / Healing
Gender Role and Identity
Film / Photography / Mass media
Memory
Life Story / Life History
Art / Artists / Artisans
Wives
2017
85
'
RAI Basil Wright
Directed by
Lisbet Holtedahl
.
Alhajji Ibrahim is an Islamic scholar who has served as judge at the Sultanate of Ngaoundéré in Northern Cameroon for 46 years. The film follows Alhajji during the last years of his life, focusing
West Africa
Family / Kinship
Everyday Life
Gender Role and Identity
Marriage
Personal Narrative
Religion / Belief / Faith
Social Norms