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British-Irish Isles
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Central Europe
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Middle and Near East
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South Asia
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Country
Hungary
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India
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Nepal
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Turkey
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Animals
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Festivals / Carnival
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Film / Photography / Mass media
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Gender Role and Identity
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Labour
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Popular Culture
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Urban
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Directors
Demiralay, Hakan
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Hopkins, Ben
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Kaymak, Vedide
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Kharel, Dipesh
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Moffat, Zemirah
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Tari, János
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Vohra, Paromita
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6
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2006
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Film list
37 Uses for a Dead Sheep
2006
85
'
Directed by
Ben Hopkins
.
The Pamir Kirghiz are a tribe of some 2,000 people from the Pamir region of Central Asia. For the last 27 years they have lived in exile in Eastern Turkey. In 2005 an Anglo-Turkish film crew arrives
Middle and Near East
Film / Photography / Mass media
Animals
Migration
The Devil’s Mills. Roundabouts don't Build Houses any more
2006
56
'
Directed by
János Tari
.
The everyday life of migrant fun fair operators is the filter through which we view the social and economic factors of the 20th and early 21st century that define the life and work of this social
Central Europe
Labour
Social Change
Trade
Festivals / Carnival
Fragments from the Past
2006
27
'
Directed by
Vedide Kaymak
Hakan Demiralay
.
In the days before DVD and satellite television, the cinema was important to London’s Turkish speaking population as a place to meet and as a link with home. Eight individuals recount their
British-Irish Isles
Popular Culture
Migration
Film / Photography / Mass media
A Life with Slate
2006
59
'
Directed by
Dipesh Kharel
.
Alampu is a beautiful and exceedingly remote village in Nepal. The majority of the settlers there are Thami people, one of the indigenous groups of Nepal. More than 90 percent of them have been
South Asia
Labour
Socioeconomic conditions
Mirror Mirror
2006
58
'
Directed by
Zemirah Moffat
.
Mirror Mirror is based on an audio-visual ethnography of London’s queer Club Wotever. Begun in the autumn of 2003, it promoted itself as a club that welcomed all genders and sexualities – a
British-Irish Isles
LGBTQI*
Sex / Sexuality
Gender Role and Identity
Q2P
2006
55
'
Directed by
Paromita Vohra
.
Q2P is a film about toilets and the city. It sifts through the dream of Mumbai as a future Shanghai and searches for public toilets, watching who has to queue to pee. As the film observes who has
South Asia
Gender Role and Identity
Urban
Socioeconomic conditions