Film list

[born--Film-image]
Born 2008 56'
    Directed by Andy Lawrence Judith Kurutuac .
*Our hope is to create a magical-real environment in which to go beyond the limits of our historical perspective on childbirth and its culturally bound rites, and to demonstrate an emotionally
British-Irish Isles Health / Health care / Healing Family / Kinship Children / Young people
[faces-voices--Film-image]
Faces Voices 2018 18'
  Directed by Paul Basu Christopher Thomas Allen .
The film complicates any simple reading of a colonial photographic archive from Southern Nigeria and Sierra Leone that was collected between 1909 and 1915. Through a collaborative creative effort
West Africa British-Irish Isles Archival material / Museum displays Colonialism / Postcolonialism Race / Racism / Antiracism
[firth-on-firth--Film-image]
Firth on Firth 1993 49'
    Directed by Rolf Husmann Peter Loizos Werner Sperscheinder .
In a series of interviews in his London home and the London School of Economics, Sir Raymond Firth talks about his life and some of his personal views. The film focuses thus on his Maori studies,
British-Irish Isles History of Anthropology Public Figure
[fragments-from-the-past--Film-image]
Fragments from the Past 2006 27'
    Directed by Vedide Kaymak Hakan Demiralay .
In the days before DVD and satellite television, the cinema was important to London’s Turkish speaking population as a place to meet and as a link with home. Eight individuals recount their
British-Irish Isles Popular Culture Migration Film / Photography / Mass media
[heart-of-the-village--Film-image]
Heart of the Village 1985 52'
  Directed by Toni de Bromhead .
The second film of the Caught in the Web trilogy, which compares and contrast aspects of life in a Dorset community in the Bride Valley and a French village in Provence, Villes-sur-Auzon,
Western Europe British-Irish Isles Rural Socioeconomic conditions
[hold-me-tight-let-me-go--Film-image]
Hold Me Tight Let Me Go 2007 99'
    Directed by Kim Longinotto .
*The main reason I wanted to shoot is that when the kids misbehave, the teachers don’t punish them but try to find out why they are acting in such a way. The driving idea behind the school is to
British-Irish Isles Children / Young people Education / Knowledge Transmission Health / Health care / Healing
[home-from-the-hill--Film-image]
Home from the Hill 1984 60'
    Directed by Molly Dineen .
Anthropology’s relationship with colonialism has been discussed widely. Yet the ethnography of the colonial service remains largely unexplored on film. This entertaining documentary shows, not
British-Irish Isles Colonialism / Postcolonialism
[john-the-eel-trapper--Film-image]
John the Eel Trapper 1982 28'
    Directed by Toni de Bromhead .
The fens of East Anglia provide the scenery for this documentary. At the centre of the film is John, a solitary character, who makes his living by trapping eels in the numerous canals of the area.
British-Irish Isles Animals Hunting / Gathering / Fishing
[lessons-from-gulam--Film-image]
Lessons from Gulam 1986 52'
    Directed by John Baily .
A detailed study of musical enculturation within the Asian community of Bradford in northern England. Gulam Musa is the principal character and he is shown as a teacher and as a musician. The film
British-Irish Isles Music / Ethnomusicology Education / Knowledge Transmission
[mirror-mirror--Film-image]
Mirror Mirror 2006 58'
    Directed by Zemirah Moffat .
Mirror Mirror is based on an audio-visual ethnography of London’s queer Club Wotever. Begun in the autumn of 2003, it promoted itself as a club that welcomed all genders and sexualities – a
British-Irish Isles LGBTQI* Sex / Sexuality Gender Role and Identity
[the-price-of-memory--Film-image]
The Price of Memory 2014 83'
  Directed by Karen Marks Mafundikwa .
In 2002, Queen Elizabeth II visited Jamaica for her Golden Julibee Celebrations. While there she was petitioned by a group of Rastafari for slavery reparations. For Rastafari, reparations are linked
Caribbean Islands British-Irish Isles Colonialism / Postcolonialism Political Activists
[pride-of-place-observations-of-lives-of-girls-at-a-public-school--Film-image]
Pride of Place - Observations of lives of girls at a Public School 1976 59'
  Directed by Dorothea Gazidis Kimona Landseer Kim Longinotto .
A rarely seen classic, PRIDE OF PLACE was made as a first project while Longinotto was a student at England’s National School of Television and Film. As a teenager, the filmmaker had been condemned
British-Irish Isles Children / Young people Education / Knowledge Transmission Gender Role and Identity
[promise-and-unrest--Film-image]
Promise and Unrest 2010 79'
    Directed by Alan Grossman Áine O’Brien .
Separated from her daughter Gracelle at 7 months, Noemi Barredo left the Philippines for work in Malaysia before arriving in Ireland in 2000. Filmed over a five-year period, 'Promise and Unrest' is
South-East Asia British-Irish Isles Family / Kinship Labour Migration Linguistics / Language
[southeast-london-ethnography-three-student-films-anglesea-road-the-good-ol-days-talk-of-trade--Film-image]
Southeast London Ethnography - Three Student Films: Anglesea Road; The Good Ol' Days; Talk of Trade 2007 13'
    Directed by Elhum Shakerifar Ed Owles Jamie Taylor .
These 3 films on Southeast London were made by GCC college students who took a course in anthropology & film. ANGLESEA ROAD: Situated in Woolwich, South East London, Anglesea Road is a small
British-Irish Isles Urban
[steel-lives--Film-image]
Steel Lives 2005 45'
  Directed by Massimiliano Mollona .
The anthropologist spent several months working as unskilled labourer alongside Sheffield steelworkers at Morris for his PhD. This film is a look into the working lives of men who earn a living in
British-Irish Isles Labour Socioeconomic conditions Collective / Community identity
[talking-to-each-other--Film-image]
Talking to Each Other 1985 52'
  Directed by Toni de Bromhead .
The third film of the **Caught in the Web** trilogy, which compares and contrast aspects of life in a Dorset community in the Bride Valley and a French village in Provence, Villes-sur-Auzon,
Western Europe British-Irish Isles Rural Socioeconomic conditions
[theatre-girls--Film-image]
Theatre Girls 1979 57'
  Directed by Kim Longinotto Claire Pollack .
The “Theatre Girls Club” is a hostel for homeless, destitute and alcoholic women in Soho, London. It is run by six paid workers and it is the only hostel in London which takes any women at any
British-Irish Isles Squatter Settlements / Homelessness Socioeconomic conditions Gender Role and Identity
[a-village-heritage--Film-image]
A Village Heritage 1985 52'
  Directed by Toni de Bromhead .
The first of the **Caught in the Web** trilogy, which compares and contrast aspects of life in a Dorset community in the Bride Valley and a French village in Provence, Villes-sur-Auzon, Vauclause.
Western Europe British-Irish Isles Socioeconomic conditions Rural
[a-good-day-in-sharnford-god-speed-the-plough--Film-image]
A good day in Sharnford. God Speed the Plough! 2010 14'
  Directed by Michele Trentini .
In the heart of Ye Olde England, the first Monday after the Epiphany is still “Plough Monday”, with the ritual parading of a decorated plough and the Morris Dance. This film is part of
British-Irish Isles Festivals / Carnival Folklore