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"RAI Basil Wright"
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RAI FILM FESTIVAL 2019
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Region
Middle and Near East
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West Africa
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Western Europe
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Country
Cameroon
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France
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The Netherlands
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Yemen
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Keywords
Archival material / Museum displays
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Everyday Life
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Family / Kinship
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Food
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Gender Role and Identity
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Hunting / Gathering / Fishing
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Marriage
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Migration
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Nomads and Nomadism
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Personal Narrative
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Refugees / Displaced populations
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Religion / Belief / Faith
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Social Norms
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Squatter Settlements / Homelessness
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Tourism / Travel / Pilgrimage
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Directors
Esteva, Jordi
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Holtedahl, Lisbet
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Rens, Maarten
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van Lanker, Laurent
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Series
National Film and Television School
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not set
3
Country of production
Belgium
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Norway
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Spain
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United Kingdom
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Year of production
1991
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2016
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2017
2
Film Festival Year
2017
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2019
2
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not set
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Festival Prize Category
RAI Basil Wright
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Accepted
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Film list
Kalès
2017
63
'
RAI Basil Wright
Directed by
Laurent van Lanker
.
A film of wind and despair, of fire and solidarity, of hope and hell. An intimate and inside perspective of the ‘jungle’ of Calais, evoked through a polyphony of bodies, tales, and
Western Europe
Migration
Refugees / Displaced populations
Squatter Settlements / Homelessness
Participatory / Collaborative methods
Smoke
1991
28
'
RAI Basil Wright
Directed by
Maarten Rens
.
The film deals with fish smoking in Monnickendam, a small town twelve miles north of Amsterdam. Using archival footage, interviewing old fishermen, and contrasting the traditional and the modern
Western Europe
Hunting / Gathering / Fishing
Food
Archival material / Museum displays
Socotra, the Island of Djinns
2016
64
'
RAI Basil Wright
Directed by
Jordi Esteva
.
The film is the story of a journey across the island of Socotra in the Indian Ocean, off the coast of Yemen. Socotra is isolated during the monsoon season, when it is impossible to land on it. This
Middle and Near East
Myths / Fairy tales
Nomads and Nomadism
Tourism / Travel / Pilgrimage
Trade
Wives
2017
85
'
RAI Basil Wright
Directed by
Lisbet Holtedahl
.
Alhajji Ibrahim is an Islamic scholar who has served as judge at the Sultanate of Ngaoundéré in Northern Cameroon for 46 years. The film follows Alhajji during the last years of his life, focusing
West Africa
Family / Kinship
Everyday Life
Gender Role and Identity
Marriage
Personal Narrative
Religion / Belief / Faith
Social Norms