1_Salish_Sea_Seattle
2_Costal_Salish_Mask_British_Museum
3_Acropolis_Athens
4_Parthenon_Marbles
5_BC_Parliament_Building
6_Haida_Totem__British_Museum
7_Adgal_Gardens_Marrakech
8_Moroccan_Pottery_British_Museum
9_Pondicherry_India
10_Hindu_Deity_Figures_British_Museum
11_Chania_Crete
12_Minoan_Pottery_from_Crete_Greece_Britsh_Museum
13_Serengeti_Tanzania
14_Masai_Shield_from_Tanzania_British_Museum
15_Sahara_Desert_Morocco
16_Berber_Sword_British_Museum
17_Lewis___Clark_College_Portland__Oregon
18_Haida_Totem_British_Museum
19_Chennai_India
20_Indian_Relief_Sculpture_British_Museum
21_Phoenix_Arizona
22_South_Western_Native_American_Regalia_British_Museum
23_British_Museum
24_British_Museum_2
25_Grand_Anse_Haiti
26_Paje_Zanzibar
27_Lahaina_Maui_Hawai_i
28_Rural_Central_Malawi
29_Quito_Ecuador
30_Waikiki_Beach_Oahu_Hawai_i
31_Rose_Quartz_Mine_Southern_Malawi
32_Rosetta_Stone_British_Museum
33_SOAS_
34_Chinese_Pagoda_Victoria_Park_London_-_March_2022
35_Victoria_Park_Pavillion_
36_Gilt_of_Cain_at_Fen_Court_London_-_March_2022
37_The_Golden_Hinde_Southbank_London_-_March_2022
38_Plaque_memorialising_Lloyd_s_Coffee_House_-_March_2022
39_Thiruvalluvar_Statue_SOAS_Bloomsbury_London
40_No_One_Is_Illegal_on_Stolen_Land
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Mary Douglas called dirt ‘matter out of place.’ Graffiti is similar in that it’s ‘art out of place,’ often text in unexpected places.  It shows up in sometimes jarring and incongruous ways, forcing viewers to reframe and reimagine spaces and places in which they encounter it.

The slogan “no one is illegal on stolen land” came to the forefront of the political debates the States in 2018 over the Differed Action for Childhood Arrivals (DACA) and Development, Relief, and Education for Alien Minors (DREAM) Act, two laws which guaranteed the rights, especially to education, of undocumented residents who arrived as minors. This slogan extends beyond this context – it drips with colonialism and post-coloniality, encompassing generations of land grabs, dehumanisation, and state-imposed disenfranchisement and violence.

I digitally imposed the slogan on photos from my travels around former colonies to underscore the impact of colonialism on those places, both historically and currently. The imposed phrase reframes the image, forcing the viewer to think about colonialism’s long reach. But colonialism’s impacts were and are felt in the metropoles as well. I took my slogan out into London, both out and about and into the British Museum, one of the most potent spaces of colonial legacy and post-coloniality. In the museum, I sought artifacts to match with my travels, and placed a homemade sign on or near them to reframe them. I also walked around London, finding the little legacies of colonialism and placed my sign slogan there as well.

I took one aspect of graffiti, text in unexpected places, and created a series of images that force viewers to listen to unsung counternarratives of colonisation.

By Anna Löfstrand

2022