Skip to content
RAI FILM
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
RAI FILM
Login
Facebook
Instagram
Twitter
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Facebook
Instagram
Twitter
Films
found one film
showing search results for “carnival king of europe”
x
Country
“Venezuela”
x
Country of production
“United States”
x
Year of production
“2012”
x
films with a digital version
1
Region
South America
1
Country
Venezuela
1
x
Keywords
Indigenous peoples / First Nations peoples
1
Material Culture
1
Social Change
1
Directors
Shalygin, Cliff Orloff and Olga
1
Series
not set
1
Country of production
United States
1
x
Year of production
2012
1
x
Film
Yanomami: From Machetes to Mobile Phones
2012
58
‘
Directed by
Cliff Orloff and Olga Shalygin
.
The Yanomami Indians are one of the last large relatively unacculturated indigenous groups remaining in the world. In November 2000 filmmakers Orloff and Shalygin documented the lives of a small group of Yanomami living along the banks of the Siapa River. Ten years later the filmmakers return to the same village to document the changes they observe. As the outside world encroaches into Yanomami land, the tension between these two worlds is revealed. The desire to retain Yanomami customs and traditions becomes difficult to reconcile with their attraction to the material goods available in the modern world.
South America
Indigenous peoples / First Nations peoples
Material Culture
Social Change