The film is part of the Guardians of Productive Landscapes series and a sequel to 'Abraham and Sarah I: Creators of a productive landscape'. A Tigrean farmer and his wife, who host pilgrims to a

In the highlands of Tigray - northern Ethiopia - on the edge of the escarpment that descends steeply to the Danakil dessert, Hagos Mashisho and Desta Gidey have toiled and struggled for years to turn

In the Hunza Valley in the northern Pakistan there is a magnificent turquoise lake. But the lake hasn’t been always there: it is the result of a massive landslide that blocked a river, causing

Breeding Cells is a film about a reproductive laboratory. A fertility clinic is a place where human reproduction is separated from sex and anatomized into bio/technological components. There

“Business Process Outsourcing” is the fastest growing industry in the world. In India, approximately 350,000 people are currently working in call centres to maintain the contact between western

Santa Clara del Cobre, a village in Mexico's province Michoacán, is well-known for its copperwork, a craft originating from pre-Spanish times. In the late 1940s the people of Santa Clara tried to

Dancing Grass is a film in the Guardians of Productive Landscapes series (editor Ivo Strecker). It captures the communal harvesting of teff among Tigreans of Northern Ethiopia. Teff, an ancient

The Sufi shrine of Mira Datar in North Gujarat is a large pilgrimage centre specialising in healing possession and mental illness. It has become a site of experimenting with new forms of community

Filmmaker and anthropologist Jean Lydall has been making films with the Hamar community of southern Ethiopia since the 1970s. In 2001 she returned with her daughter and grandson to follow the

Together with a Pentecostal youth group, teenagers Colin and Salo are on a mission trip to East Germany preaching the word of God. On the streets of Wismar they experience the highs and lows of what

The film is a sequel to former films on Hamar directed by Jean Lydall and Kaira Strecker, and contributes to the Guardians of Productive Landscapes series. Kaira's childhood friend Shawa moved as a

In a series of interviews in his London home and the London School of Economics, Sir Raymond Firth talks about his life and some of his personal views. The film focuses thus on his Maori studies,

The film portrays a vibrant range of contemporary and historical images by artists and photographers in Ghana. While glancing through the history of black & white photography in Ghana, the film

In Aiye’s Garden is a film in the Guardians of Productive Landscapes series (editor Ivo Strecker). Enset, which is related to the banana plant, is very drought resistant and a good source of

When entering the EU for the first time, a refugee must submit an application for asylum. So much is clear. Less well known, however is the fact that for 90% of all refugees, the Aegean is the

Living among 8,000 animals in the South of France, Thérèse and Dominique live their passion as herders and breeders. Their philosophy of life makes us reflect on the nature of relationships between

The weekly wrestling tournaments of the Sudanese Nuba migrants in Khartoum usually take place between Northern and Southern Nuba men. The sport helps them strengthen their ethnic identity in a

Orania is situated in South Africa's barren Northern Cape province. All of its 800 inhabitants are white Afrikaners. They live here on private property which was bought in 1991. People of other

Asen Balikci has been a leading figure in making ethnographic films for many decades. In a series of talks between Balikci and filmmaker Rolf Husmann in different locations, the life and work of Asen

The people of East Greenland inhabit a small string of coastal land at the edge of the biggest island of the world. Long winters have always shaped daily life here, a life that has gone within a few

A film about mobility, human creativity, and technology in a Sudanese truck community. The English Bedford-Lorry was introduced to Sudan in the late 1960s. Since then, local craftsmen technically

Jana Papenbroock with Horst Wässle, Michael Gerdsmann, Bernhard Krebs WHY IS MR W. LAUGHING? is a portrait of three members of a community of artists with different disabilities. Rather than