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RAI FILM
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About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
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RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
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Films
found one film
showing search results for “carnival king of europe”
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Directors
“Tsering Lepcha, Dawa”
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Country of production
“India”
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Region
South Asia
1
Country
India
1
Keywords
Dance / Theatre / Performance
1
Religion / Belief / Faith
1
Ritual
1
Directors
Tsering Lepcha, Dawa
1
x
Series
not set
1
Country of production
India
1
x
Year of production
2007
1
Film
Cham in the Lepcha Village of Lingthem
2007
52
‘
Directed by
Dawa Tsering Lepcha
.
Every winter, over a period of six days, the lamas of Lingthem’s village monastery hold their annual cham. These dramatic ritual masked dances impart elementary Buddhist teachings while providing entertainment to villagers. Their main purpose is to remove obstacles and ward off misfortune for the village, its inhabitants and the monastery. However, for lamas and more serious Buddhist practitioners, these cham and their rituals hold deep philosophical meanings. The dances were beautifully filmed by Dawa Tsering Lepcha in his own village monastery in the Lepcha reserve of Dzongu, North Sikkim. In the course of this village event, the deities who emerge in the period between death and rebirth make their rhythmic appearances followed by the Lord of Death who judges one’s good and bad deeds in the after life. This film is the second produced by the Namgyal Institute of Tibetology as part of its visual anthropology project. This training program for indigenous filmmakers aims to produce a documented video record of Sikkim’s vanishing indigenous and Buddhist cultures. Its primary purpose is to record and preserve the meaning and proper performance of Sikkim’s rituals within their social and economic context.
South Asia
Ritual
Dance / Theatre / Performance
Religion / Belief / Faith