Films

A last request of a Tiwi man on Melville Island was that a film be made of the pukumani (bereavment) ceremony to follow his death. The film follows his family, from the days of preparation to their

Although the events around which this film was planned were the final mortuary rites for Les Angabarraparra, the subject of the film became interaction. Interaction between the anthropologist Les

When Geraldine Kawanka’s husband died, she and her children left their house at Aurukun on Cape York Peninsula. In earlier times a bark house would have been burnt, but today a ‘house-opening’

Cemeteries are not only places for the dead. They are also spaces in which the living interact with each other – and with the dead. “Cultivating Death” depicts the different ways in which

The film is about the encounter between tradition and modernity. In a small village of Papua New Guinea three exceptional men rival with each other in the field of rituals and artistic creation in

Nigerian writer Dul Johnson returns to Tarok land to observe the local death rituals and the record of the Tarok ways of dealing with grief and honoring departed. This film provides a rare and

A film about how anthropological knowledge is developed through active participation in traditional exchange ceremonies on the small island of Baluan in the South Pacific. The film follows the

‘We Don’t Need a Grave’ attempts to show how the people who choose Shizenso rather than the typical family grave try to accept one’s death. Shizenso is a natural mortuary practice that has no