The film investigates and portrays the life of Afghan refugees living in and around the city of Peshawar in northern Pakistan through the experiences of the musician Amir. The aspirations of Afghan

From neighbourly disputes over garlic-heavy cooking to memories of Ceaușescu’s heatless winters, "The Block" explores the rich social and material universe of a Romanian apartment

The practice of using shackles and chains to physically restrain people with mental illness (known as pasung) is widespread in Indonesia (as in many other developing/low middle income countries) and

The film is in two parts and focuses on the Mongols living in the Inner Mongolia Autonomous Region of China. Part One (28 minutes) follows the life of a nomadic Mongol family on their yearly journey

Human remains from the California Channel Islands were donated to an English city museum nearly a century ago. More recently research began into how they came to be there, and whose remains they

A monolithic building on the outskirts of Delhi provides food and shelter for 350 boys. Some are orphans, some have been abandoned, others have run away from home. About half are held under a court

Horror in the Andes is a behind-the-scenes documentary that follows the process of making a horror movie in Ayacucho, Peru. Directed by audio-visual anthropologist Martha-Cecilia Dietrich, it

This film tries to solve the mystery of a bizarre Arctic fairy tale. Priit Tender, an Estonian animator, makes a film about an old Chukchi legend – The Maggot Feeder. The unconventional narrative

The Turkana are a group of semi-nomadic pastoralists who inhabit a harsh environment of dry thorn country in northwestern Kenya. Lorang’s Way focuses upon a Turkana elder. Having spent time away

This film tells the story of the friendship between an English filmmaker and Nicola, a Sicilian ex-gangster who lives in Florence. The film moves to and fro between a street of ill repute, and the

Like every year, Corigliano Calabro, a small village in the south of Italy, celebrates Easter: from the investiture of a man to embody Jesus during a night procession, to the passionate debates for

Yolngu Aboriginal families offer glimpses into their lives and relationships through their choice of ringtones. From ancestral clan songs to 80s hip hop artists and local gospel tunes, these songs

(This version of the film uses a split-screen device throughout. For the single screen version see 'Travel'). Joy left Nigeria to help her family after her father’s death. She knew that she was

This is the personal story of a boy who grew up mixed in every aspect of his life, his parents, where he was from, his race. The black kid who thought that he was white. The white kid who thought

Also about individuals from the Turkana in north-western Kenya (see 'Lorang’s Way' and 'A Wife Among Wives'), this film chronicles a series of events which surround the marriage of Lorang’s

Jana Papenbroock with Horst Wässle, Michael Gerdsmann, Bernhard Krebs WHY IS MR W. LAUGHING? is a portrait of three members of a community of artists with different disabilities. Rather than

This segment of the trilogy on the Turkana of northern Kenya (see 'Lorang’s Way' and 'The Wedding Camels' above) evolves around the role of women in the society. The audience follows the

Alhajji Ibrahim is an Islamic scholar who has served as judge at the Sultanate of Ngaoundéré in Northern Cameroon for 46 years. The film follows Alhajji during the last years of his life, focusing

As the sun rises on a village in northern Colombia, we glimpse its inhabitants as they begin their day. As the scene emerges from obscurity, a voiceover ruminates on the nature of sight. It is the