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About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
RAI FILM
Login
Facebook
Instagram
Twitter
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Login
Facebook
Instagram
Twitter
Films
found one film
Country
“Papua New Guinea”
x
Directors
“Kildea, Gary”
x
Series
“0”
x
Country of production
“United States”
x
Year of production
“1974”
x
Region
Melanesia
1
Country
Papua New Guinea
1
x
Keywords
Colonialism / Postcolonialism
1
Political Activists
1
Sport
1
Directors
Kildea, Gary
1
x
Leach, Jerry
1
Series
not set
1
x
Country of production
United Kingdom
1
United States
1
x
Year of production
1974
1
x
Film
Trobriand Cricket: An Ingenious Response to Colonialism
1974
50
‘
Directed by
Gary Kildea
Jerry Leach
.
The film documents the transformation by the Trobriand Islanders of the game of cricket, first introduced by British missionaries into a highly distinctive political ritual. Shot in 1973-1974, shortly before the independence of Papua New Guinea, the film was made with the active co-operation of the Kabisawali Movement, a local political organisation.The film has been enthusiastically received by anthropologists, television audiences, film festivals and (most important, perhaps) by the Trobriand sponsors. However, much of the film’s political dimension is related to the way in which it was made, the type of co-operation between Trobriand sponsors and makers, and its role in Kabisawali propaganda, factors which are not explicitly part of the film’s content.
Melanesia
Sport
Colonialism / Postcolonialism
Political Activists