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About
About RAI Film
Meet the team
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Watch on demand
Ethnographic Film Catalogue
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RAI Film Festival
About RAI Film Festival
Film Festival 2025
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Film Festival prizes and awards
Film Conference 2025
Archive of past editions
RAI FILM
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About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
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Films
6 Films
Directors
“Henley, Paul”
x
Country of production
“United Kingdom”
x
films with a digital version
3
short films
3
Region
British-Irish Isles
1
South America
5
Country
United Kingdom
1
Venezuela
4
not set
1
Keywords
Death
1
Education / Knowledge Transmission
1
Festivals / Carnival
1
Indigenous peoples / First Nations peoples
1
Informant-researcher relationship
1
Land Rights
1
Linguistics / Language
1
Memory
1
Political Activists
1
Public Figure
2
Race / Racism / Antiracism
1
Religion / Belief / Faith
2
Ritual
2
Social Change
2
Social Conflict
1
Directors
Drion, Georges
1
Henley, Paul
6
x
Okojie, Paul
1
Series
Granada Center for Visual Anthropology Student Film
1
Granada Centre for Visual Anthropology Staff Film
2
not set
3
Country of production
United Kingdom
6
x
Year of production
1987
3
1995
1
1996
1
2000
1
Film list
Cuyagua – Devil Dancers
1987
52
‘
Directed by
Paul Henley
.
The men of the Afro-Caribbean population of Cuyagua enact a ritual that occurs 60 days after Easter. The film is a portrait of two men who direct the devil dancing. They tell the history of the
South America
Ritual
Religion / Belief / Faith
Cuyagua – the Saint With Two Faces
1987
56
‘
Student
Directed by
Paul Henley
.
The film centres on the predominantly female celebration of the feast of Saint John. The women sing the songs associated with the Feast, describe their beliefs and how they organise the feast.
South America
Ritual
Religion / Belief / Faith
Festivals / Carnival
The Legacy of Antonio Lorenzano
2000
46
‘
Directed by
Paul Henley
.
Antonio Lorenzano was an acclaimed musician, shamanic healer and craftsman, and the leader of the Warao community of Morichito on the Winikina River, in the lower Orinoco Delta, Venezuela. The film
South America
Death
Public Figure
Informant-researcher relationship
Social Change
Memory
Reclaiming the Forest
1987
39
‘
Directed by
Paul Henley
Georges Drion
.
National governments, itinerant gold-miners, and indigenous inhabitants compete for control of an area of the South American rainforest. The film shows the potential conflict between the interests
South America
Land Rights
Indigenous peoples / First Nations peoples
Social Change
Social Conflict
We Are Born to Survive
1995
30
‘
Directed by
Paul Henley
Paul Okojie
.
A political biography of the activist Kath Locke, from Manchester’s Moss Side, based on an interview conducted by her political comrade Paul Okojie shortly before her death in 1992, aged 64.
British-Irish Isles
Political Activists
Race / Racism / Antiracism
Public Figure
Writing Panare – Portrait of a Linguist on Fieldwork
1996
30
‘
Directed by
Paul Henley
.
Marie-Claude Muller is a linguist who has worked for many years with the Panare, an Amerindian people of Venezuelan Amazonia. She has now been commissioned by the government literacy programme to
South America
Linguistics / Language
Education / Knowledge Transmission