Skip to content
RAI FILM
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
RAI FILM
Login
Facebook
Instagram
Twitter
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Login
Facebook
Instagram
Twitter
Films
found one film
Directors
“Luethi, Damaris”
x
Country of production
“Switzerland”
x
Colour / Black and white
“Colour”
x
films with a digital version
1
Region
South Asia
1
Country
India
1
Keywords
Everyday Life
1
Film / Photography / Mass media
1
Labour
1
Directors
Grossenbacher, Ulrich
1
Luethi, Damaris
1
x
Series
not set
1
Country of production
Switzerland
1
x
Year of production
1997
1
Colour / Black and white
Film
Silk, Muthappar and VHS: Portraits from South India
1997
63
‘
Directed by
Ulrich Grossenbacher
Damaris Luethi
.
The documentary, filmed during ethnographic field research, shows three portraits of ‘ordinary’ personalities — Mala, a young weaver sharing a one-bedroom house with nine siblings; Santa Cruz, once a fishtrader and now a healer and magician; and Muthiah, a videographer of upper class weddings — living in a neighbourhood in Nagercoil, a south Indian town. The aim of the video is to show the persons not as representatives of homogeneous masses, but to acknowledge them as individuals who nurse their own specific worries and strategies in a changing world. The protagonists thus themselves comment about their own lives and actions.
South Asia
Labour
Everyday Life
Film / Photography / Mass media