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About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
RAI FILM
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About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
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Films
7 Films
shorter than 40 minutes
x
Country
“China”
x
Country of production
“China”
x
films with a digital version
7
short films
7
x
films available on demand
1
Region
Central Asia and Far East
5
South-East Asia
2
Country
China
7
x
Keywords
Animals
1
Collective / Community identity
2
Education / Knowledge transmission
1
Elderly People
1
Family / Kinship
3
Festivals / Carnival
1
Gender Role and Identity
3
History
1
Hunting/Gathering/Fishing
1
Marriage
2
Religion / Belief / Faith
1
Ritual
2
Sex / Sexuality
1
Shamans and Shamanism
2
Social Change
2
Directors
Cai, Hua
2
Gao, Ang
1
Rousso-Schindler, Steven
4
Seaman, Gary
4
Song, Zhifang
4
Series
Shorts Collection 2
1
Song Family Village
4
not set
2
Country of production
China
7
x
United States
4
Year of production
1995
1
1999
1
2009
4
2020
1
Film list
Daba – Portrait of a Na Shaman
1999
40
‘
Directed by
Hua Cai
.
After more than a quarter of a century without any form of religious ceremony, the Na, an ethnic group living on the Himalayan plateau, began openly practising their religion again in the early
South-East Asia
Education / Knowledge transmission
Religion / Belief / Faith
Shamans and Shamanism
The Heavenly Court in Song Family Village
2009
30
‘
Directed by
Zhifang Song
Gary Seaman
Steven Rousso-Schindler
.
Religious life in the village is highly gendered, with female shamans dominating most religious activities. These shamanesses and their gods are organised as a “court”, which expresses a
Central Asia and Far East
Gender Role and Identity
Shamans and Shamanism
Ritual
Marriage, Maoism and Modernity
2009
30
‘
Directed by
Zhifang Song
Gary Seaman
Steven Rousso-Schindler
.
This film outlines the types of marriage exchange practiced in a Chinese village over the last fifty years. Dowry, brideprice and exchange marriages have dominated the marriage market in turn as
Central Asia and Far East
Marriage
History
Social Change
The Ospreys and the Old Man
2020
9
‘
Directed by
Ang Gao
.
A 76-year-old man living in a village in the middle of China continues the traditional practice of using ospreys (鱼鹰. 鱼鹰 usually referred to as great cormorant in English) to fish while most
Central Asia and Far East
Hunting/Gathering/Fishing
Animals
Elderly People
The Secret of the Stone
2009
39
‘
Directed by
Zhifang Song
Gary Seaman
Steven Rousso-Schindler
.
Located on the North China Plain about 200 miles south of Beijing, ‘Song Family Village’ is home to about 1,300 people. Some 80% of all villagers are members of a single lineage of the Song surname.
Central Asia and Far East
Family / Kinship
Collective / Community identity
Ritual
Festivals / Carnival
Song Family Village Takes a Bride
2009
27
‘
Directed by
Zhifang Song
Gary Seaman
Steven Rousso-Schindler
.
Most weddings in the village still reflect traditional patterns of patrilineal descent and patrilocal residence. The bride leaves her natal home to marry into her husband’s village, where she is a
Central Asia and Far East
Marriage
Family / Kinship
Gender Role and Identity
Social Change
Without Fathers or Husbands
1995
26
‘
Directed by
Hua Cai
.
The Na are an ethnic group in south-east China. Their particularity is that all the members of each household are consanguineous relatives; their social organisation is absolutely matrilineal and as
South-East Asia
Family / Kinship
Collective / Community identity
Gender Role and Identity
Sex / Sexuality