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About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
RAI FILM
Login
Facebook
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Twitter
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Login
Facebook
Instagram
Twitter
Films
2 Films
shorter than 40 minutes
x
Keywords
“Gender Role and Identity”
x
Country of production
“China”
x
Year of production
“2009”
x
films with a digital version
2
short films
2
x
Region
Central Asia and Far East
2
Country
China
2
Keywords
Family / Kinship
1
Gender Role and Identity
2
x
Marriage
1
Ritual
1
Shamans and Shamanism
1
Social Change
1
Directors
Rousso-Schindler, Steven
2
Seaman, Gary
2
Song, Zhifang
2
Series
Song Family Village
2
Country of production
China
2
x
United States
2
Year of production
2009
2
x
Film list
The Heavenly Court in Song Family Village
2009
30
‘
Directed by
Zhifang Song
Gary Seaman
Steven Rousso-Schindler
.
Religious life in the village is highly gendered, with female shamans dominating most religious activities. These shamanesses and their gods are organised as a “court”, which expresses a
Central Asia and Far East
Gender Role and Identity
Shamans and Shamanism
Ritual
Song Family Village Takes a Bride
2009
27
‘
Directed by
Zhifang Song
Gary Seaman
Steven Rousso-Schindler
.
Most weddings in the village still reflect traditional patterns of patrilineal descent and patrilocal residence. The bride leaves her natal home to marry into her husband’s village, where she is a
Central Asia and Far East
Marriage
Family / Kinship
Gender Role and Identity
Social Change