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RAI FILM
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Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
RAI FILM
Login
Facebook
Instagram
Twitter
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Login
Facebook
Instagram
Twitter
Films
found one film
with a digital version available
x
Country
“Bosnia and Herzegovina”
x
Keywords
“Inter-religious relations”
and
“War Conflict Reconciliation”
x
Directors
“Christie, Debbie”
x
Country of production
“United Kingdom”
x
Year of production
“1993”
x
films with a digital version
1
x
Region
South-East Europe
1
Country
Bosnia and Herzegovina
1
x
Keywords
Collective / Community identity
1
Inter-religious relations
1
x
War / Conflict / Reconciliation
1
x
Directors
Christie, Debbie
1
x
Series
Disappearing World Series
1
Country of production
United Kingdom
1
x
Year of production
1993
1
x
Film
We Are All Neighbours
1993
52
‘
Directed by
Debbie Christie
.
The film shows the effect of war on families in a racially mixed village outside Sarajevo, Bosnia, where Bosnian Croats and Bosnian Moslems lived peacefully together. Norwegian anthropologist Tone Bringa first worked in this mixed Catholic-Muslim village five years earlier. The team set out to make a film about how war affected families and friendships in a village in Bosnia. It was shot mainly over a three-week period in January 1993, but eight weeks later, with the film almost ready for screening; the team hears reports of violence in the area. They made a return visit to obtain the material, which forms the film epilogue.
South-East Europe
War / Conflict / Reconciliation
Collective / Community identity
Inter-religious relations