Skip to content
RAI FILM
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
RAI FILM
Login
Facebook
Instagram
Twitter
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Facebook
Instagram
Twitter
Films
found one film
with a digital version available
x
Country
“Pakistan”
x
Directors
“Baily, John”
x
films with a digital version
1
x
Region
South Asia
1
Country
Pakistan
1
x
Keywords
Music / Ethnomusicology
1
Refugees / Displaced populations
1
Religion / Belief / Faith
1
Directors
Baily, John
1
x
Series
not set
1
Country of production
United Kingdom
1
Year of production
2008
1
Film
Across the Border: Afghan Musicians exiled in Peshawar
2008
54
‘
Directed by
John Baily
.
It is the year 2000 and most of Afghanistan is under the control of the Taliban. Hearing that many of Afghanistain’s musicians are now in exile across the border in Pakistan, ethnomusicologist John Baily visits the city of Peshawar to assess the situation. How has the rubab lute, the national instrument of Afghanistan, fared? And what about London-based Ustad Asif Mahmoud’s relatives exiled in Peshawar, who Asif has not seen for ten years? Baily finds that many of Kabul’s professional musicians have opened business premises in Khalil House, a modern apartment block in Peshawar that also serves as an informal conservatory for the training of young musicians. Here are performers of both modern and traditional music. A visit to the rubab workshop of Essa Qaderi reveals the mystery of the egg shells glued inside the instrument. The film ends in the exiled musicians’ spiritual home, the Sufi khanawah run by Bacha Qandi Agha, an expert in the musical poetry of Bedil.
South Asia
Refugees / Displaced populations
Music / Ethnomusicology
Religion / Belief / Faith