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About RAI Film
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Watch on demand
Ethnographic Film Catalogue
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About RAI Film Festival
Film Festival 2025
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RAI FILM
Login
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About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Login
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Films
found one film
with a digital version available
x
Directors
“Nairn, Charlie”
x
Year of production
“1974”
x
Colour / Black and white
“Colour”
x
films with a digital version
1
x
Region
Melanesia
1
Country
Papua New Guinea
1
Keywords
Festivals / Carnival
1
Ritual
1
Social Conflict
1
Directors
Nairn, Charlie
1
x
Series
Disappearing World Series
1
Country of production
United Kingdom
1
Year of production
1974
1
x
Colour / Black and white
Film
The Kawelka: Ongka’s Big Moka
1974
52
‘
Directed by
Charlie Nairn
.
Ongka is a charismatic big-man of the Kawelka tribe who live scattered in the Western highlands, north of Mount Hagen, in Papua New Guinea. The film focuses on the motivations and efforts involved in organising a big ceremonial gift-exchange or moka planned to take place sometime in 1974. Ongka has spent nearly five years preparing for this ceremonial exchange, using all his big-man skills of oratory and persuasion in order to try to assemble what he hopes will be a huge gift of 600 pigs, some cows, some cassowaries, a motorcycle, a truck and £5,500 in cash. As an example of the big-man familiar from written texts, Ongka is memorable, and the film manages to convey through this main character the importance of pigs, of exchange and of prestige in the life of these Highlanders. The film-crew never in fact managed to film the big moka, as the conspiratorial and complex manoeuvres involved in setting the date thwarted their plans. But we are shown Ongka replacing tee-shirt and shorts with his ceremonial feathers and setting off to a little moka where he collects pigs he `invested’ with his wife’s father. The interview with Ongka’s wife raises the issue of the sexual division of labour and the importance of the wife’s labour in pig-rearing and moka preparation, as well as the role of women in the establishment of a big-man. As a teaching aid to complement the written material (listed below) this film is highly effective. J. Leach, 1975. Review of the film. RAIN, 7, pp.7–8. See reply by A. Strathern in RAIN, 8, 1975, pp.16–17. A. Strathern, 1971. The Rope of Moka. Cambridge University Press. A. Strathern, 1979. Ongka: A Self Account by a New Guinea Big-Man. Duckworth, London.
Melanesia
Ritual
Festivals / Carnival
Social Conflict