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About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
RAI FILM
Login
Facebook
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Twitter
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Login
Facebook
Instagram
Twitter
Films
2 Films
with a digital version available
x
Keywords
“Reflexivity”
x
Year of production
“2016”
x
Review Status
“Accepted”
x
films with a digital version
2
x
Region
South America
1
Western Europe
1
Country
Colombia
1
France
1
Keywords
Ethnofiction
1
Film / Photography / Mass media
1
Indigenous peoples / First Nations peoples
1
Informant-researcher relationship
1
Labour
1
Migration
1
Reflexivity
2
x
Sex / Sexuality
1
Social Change
1
Directors
Fossgard-Moser, Titus
1
Mai, Nick
1
Series
not set
2
Country of production
France
1
Norway
1
Year of production
2016
2
x
Review Status
Film list
Ignacio’s Legacy
2016
52
‘
Special Interest
Directed by
Titus Fossgard-Moser
.
Between 1960 and 1992, the acclaimed documentary filmmaker Brian Moser made four films concerning indigenous peoples of northwest Amazonia: "Piraparana" (1960), "War of the Gods"
South America
Film / Photography / Mass media
Social Change
Reflexivity
Indigenous peoples / First Nations peoples
Travel
2016
63
‘
Special Interest
Directed by
Nick Mai
.
(This version of the film is edited using a single screen. For the split screen version see ‘Travel – double screen version’). Joy left Nigeria to help her family after her father’s death. She
Western Europe
Sex / Sexuality
Labour
Migration
Ethnofiction
Informant-researcher relationship
Reflexivity