Skip to content
RAI FILM
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
RAI FILM
Login
Facebook
Instagram
Twitter
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Facebook
Instagram
Twitter
Films
found one film
with a Kanopy version
x
Region
“South Asia”
x
Country of production
“Norway”
x
Year of production
“2018”
x
films hosted on Kanopy
1
x
Region
South Asia
1
x
Country
India
1
Keywords
Collective / Community identity
1
Religion / Belief / Faith
1
Directors
Kharel, Dipesh
1
Storaas, Frode
1
Series
not set
1
Country of production
India
1
Norway
1
x
Year of production
2018
1
x
Film
A Kali Temple Inside Out
2018
83
‘
Werbner Award
Directed by
Dipesh Kharel
Frode Storaas
.
Religious boundaries in India are not necessarily as sharp and antagonistic as news media lead us to believe. This film portrays everyday life inside and around a Kali temple in the city of Kanpur, Uttar Pradesh (India). Its central characters are a priest and three devotees, who show why this temple is so important to them. The film follows these characters through their daily routines at home, at the temple, and on their occasional visits to the holy places of other non-Hindu religious traditions. The film offers a counterpoint to assumptions about religious differences and shows a more complex relationship informed by mutual friendship and shared religious aspirations. As the priest says at the end of the film , “God is one, the religions are made by humans”.
South Asia
Religion / Belief / Faith
Collective / Community identity