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RAI FILM
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About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
RAI Film Festival 2025
RAI Film Festival 2025 Group passes
About RAI Film Festival
RAI Film Festival prizes and awards
Archive of past editions
RAI FILM
Login
Facebook
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Twitter
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
RAI Film Festival 2025
RAI Film Festival 2025 Group passes
About RAI Film Festival
RAI Film Festival prizes and awards
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
RAI Film Festival 2025
RAI Film Festival 2025 Group passes
About RAI Film Festival
RAI Film Festival prizes and awards
Archive of past editions
Login
Facebook
Instagram
Twitter
Films
2 Films
available to watch on demand
x
Keywords
“Family Kinship”
x
Festival Prize Category
“0”
x
films with a digital version
1
short films
1
films available on demand
2
x
Region
Central Asia and Far East
1
East Africa
1
Country
Kenya
1
Nepal
1
Keywords
Agriculture/ Farming
1
Everyday Life
1
Family / Kinship
1
x
Family/ Kinship
1
Gender Role and Identity
1
Gender Role and identity
1
Marriage
1
Directors
Dyson, Jane
1
Harrison, Ross
1
MacDougall, David
1
MacDougall, Judith
1
Series
Shorts Collection 2
1
Turkana Conversations
1
Country of production
Australia
1
United Kingdom
1
United States
1
Year of production
1981
1
2019
1
Festival Prize Category
Film list
Spirit
2019
19
‘
Directed by
Jane Dyson
Ross Harrison
.
Saraswati is a new arrival in an Indian Himalayan village. She wonders how she will ever feel at home in the new setting. “Spirit” by Jane Dyson and Ross Harrison is a story of longing and
Central Asia and Far East
Gender Role and identity
Agriculture/ Farming
Everyday Life
Family/ Kinship
A Wife Among Wives
1981
72
‘
Directed by
Judith MacDougall
David MacDougall
.
This segment of the trilogy on the Turkana of northern Kenya (see ‘Lorang’s Way’ and ‘The Wedding Camels’ above) evolves around the role of women in the society. The audience follows the
East Africa
Gender Role and Identity
Marriage
Family / Kinship