Films - RAI FILM

RAI FILM

Film list

[37-uses-for-a-dead-sheep--Film-image]

37 Uses for a Dead Sheep 2006 85‘

Directed by Ben Hopkins .

The Pamir Kirghiz are a tribe of some 2,000 people from the Pamir region of Central Asia. For the last 27 years they have lived in exile in Eastern Turkey. In 2005 an Anglo-Turkish film crew arrives

Middle and Near East Film / Photography / Mass media Animals Migration

[the-art-of-regret--Film-image]

The Art of Regret 2007 60‘

Directed by Judith MacDougall .

Photography is known in China as the “Art of Regret”. In the rapidly changing city of Kunming, people are ambivalent about whether they want photography to be a medium of preservation and

South-East Asia Material Culture Film / Photography / Mass media

[delhi-at-eleven--Film-image]

Delhi at Eleven 2013 82‘

Directed by Ravi Shivhare Anshu Singh Kumar Kashyap Shikha Kumar .

This film presents the work of four young filmmakers of New Delhi. From March to May 2012 they took part in a video workshop at the CIE Experimental Basic School, a government primary school. Each of

South Asia Film / Photography / Mass media Children / Young people Education / Knowledge Transmission

[fragments-from-the-past--Film-image]

Fragments from the Past 2006 27‘

Directed by Vedide Kaymak Hakan Demiralay .

In the days before DVD and satellite television, the cinema was important to London’s Turkish speaking population as a place to meet and as a link with home. Eight individuals recount their

British-Irish Isles Popular Culture Migration Film / Photography / Mass media

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Future Remembrance – Photography and Image Arts in Ghana 1998 54‘

Directed by Tobias Wendl Nancy du Plessis .

The film portrays a vibrant range of contemporary and historical images by artists and photographers in Ghana. While glancing through the history of black & white photography in Ghana, the film

West Africa Film / Photography / Mass media Art / Artists / Artisans Memory

[good-bye-old-man--Film-image]

Good-bye Old Man 1977 70‘

Directed by David MacDougall .

A last request of a Tiwi man on Melville Island was that a film be made of the pukumani (bereavment) ceremony to follow his death. The film follows his family, from the days of preparation to their

Australia Indigenous peoples / First Nations peoples Death Elderly people Film / Photography / Mass media Ritual

[horror-in-the-andes--Film-image]

Horror in the Andes 2019 33‘

Special Interest Directed by Martha-Cecilia Dietrich .

Horror in the Andes is a behind-the-scenes documentary that follows the process of making a horror movie in Ayacucho, Peru. Directed by audio-visual anthropologist Martha-Cecilia Dietrich, it

South America Art / Artists / Artisans Dance / Theatre / Performance Ethnofiction Film / Photography / Mass media Indigenous peoples / First Nations peoples

[it-was-tomorrow--Film-image]

IT WAS TOMORROW 2018 53‘

Student Directed by Alexandra D’onofrio .

After living in Italy for almost ten years without documents, three Egyptian men – Ali, Mahmoud and Mohamed – are suddenly awarded legal residence. As a whole new world of opportunities opens up to

Western Mediterranean Animation Art / Artists / Artisans Dance / Theatre / Performance Film / Photography / Mass media Life Story / Life History Memory Migration Research methods Participatory / Collaborative methods

[ignacios-legacy--Film-image]

Ignacio’s Legacy 2016 52‘

Special Interest Directed by Titus Fossgard-Moser .

Between 1960 and 1992, the acclaimed documentary filmmaker Brian Moser made four films concerning indigenous peoples of northwest Amazonia: "Piraparana" (1960), "War of the Gods"

South America Film / Photography / Mass media Social Change Reflexivity Indigenous peoples / First Nations peoples

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In the Land of the War Canoes 1972 47‘

Directed by Edward S. Curtis .

The film was made in 1914 by Edward Curtis. The plot concerns the efforts of a young man, Motana, son of a great chief, to obtain a bride and how he is thwarted by a wicked sorcerer. Many of the

North America Archival material / Museum displays Marriage Film / Photography / Mass media

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Journey of the Maggot Feeder 2015 68‘

Directed by Liivo Niglas Priit Tender .

This film tries to solve the mystery of a bizarre Arctic fairy tale. Priit Tender, an Estonian animator, makes a film about an old Chukchi legend – The Maggot Feeder. The unconventional narrative

Central Asia and Far East Animation Film / Photography / Mass media Myths / Fairy tales

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Masks of Mer 2010 37‘

Directed by Michael Eaton .

The film Alfred Haddon made in 1898 in the Torres Straits, lasting for less than a minute, is the world’s first example of anthropological cinema. ‘The Masks of Mer’ tells the extraordinary story of

Australia History of Anthropology Film / Photography / Mass media Archival material / Museum displays Ritual

[matai-samoa--Film-image]

Matai Samoa 1989 65‘

Directed by George Milner .

The film is a valuable treatment of archival footage that George Milner shot while conducting fieldwork in 1955 and 1959. The footage (18 minutes of the total film) focuses on the traditional Samoan

New Zealand and Polynesia History of Anthropology Film / Photography / Mass media Social Organisation Archival material / Museum displays Ritual

[photo-wallahs--Film-image]

Photo Wallahs 1991 60‘

Directed by David MacDougall Judith MacDougall .

This film is an exploration of the cultural and personal meanings of photographs in a hill station in northern India. The ‘photo wallahs’ are the local photographers of Mussoorie, a town which

South Asia Film / Photography / Mass media Tourism / Travel / Pilgrimage

[the-professional-foreigner--Film-image]

The Professional Foreigner 2009 60‘

Directed by Rolf Husmann .

Asen Balikci has been a leading figure in making ethnographic films for many decades. In a series of talks between Balikci and filmmaker Rolf Husmann in different locations, the life and work of Asen

Various Film / Photography / Mass media History of Anthropology Public Figure

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SchoolScapes 2007 77‘

Directed by David MacDougall .

Inspired by the cinema of Lumière and the ideas of the 20th century Indian thinker Jiddu Krishnamurti, David MacDougall follows up the Doon School Quintet, his series of films about a traditional

South Asia Children / Young people Education / Knowledge transmission Film / Photography / Mass media

[silk-muthappar-and-vhs-portraits-from-south-india--Film-image]

Silk, Muthappar and VHS: Portraits from South India 1997 63‘

Directed by Ulrich Grossenbacher Damaris Luethi .

The documentary, filmed during ethnographic field research, shows three portraits of ‘ordinary’ personalities — Mala, a young weaver sharing a one-bedroom house with nine siblings; Santa Cruz,

South Asia Labour Everyday Life Film / Photography / Mass media

[this-is-my-face--Film-image]

This is My Face 2018 57‘

Student Directed by Angélica Cabezas Pino .

In Chile, people living with HIV fear stigma, and often conceal their condition and remain silent about what they are going through. This is My Face explores what happens when a range of men living

South America LGBTQI* Participatory / Collaborative methods Health / Health care / Healing Gender Role and Identity Film / Photography / Mass media Memory Life Story / Life History Art / Artists / Artisans

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Transfiction 2007 58‘

Directed by Johannes Sjøberg .

Transfiction explores ‘ethnofiction’ – an experimental ethnographic documentary film style in which the participants collaborate with the filmmaker to act out their own and others’ life experiences

South America Reflexivity Film / Photography / Mass media Gender Role and Identity Sex / Sexuality LGBTQI* Ethnofiction

[treasured-moments--Film-image]

Treasured Moments 2016 33‘

Student Directed by Ravi Hart Lloyd .

This is the personal story of a boy who grew up mixed in every aspect of his life, his parents, where he was from, his race. The black kid who thought that he was white. The white kid who thought

Caribbean Islands North America Family / Kinship Race / Racism / Antiracism Collective / Community identity Film / Photography / Mass media

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Wási 2017 16‘

Shorts Directed by Sebastián Gómez Ruíz Amado Villafaña Chaparro .

As the sun rises on a village in northern Colombia, we glimpse its inhabitants as they begin their day. As the scene emerges from obscurity, a voiceover reflects on the nature of sight. It is the

South America Indigenous peoples / First Nations peoples Indigenous Filmmaking History of Anthropology Film / Photography / Mass media