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About
About RAI Film
Meet the team
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Film Distribution
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Ethnographic Film Catalogue
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RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
RAI FILM
Login
Facebook
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Twitter
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
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Films
39 Films
Keywords
“Gender Role and Identity”
x
Country of production
“United Kingdom”
x
films with a digital version
16
short films
10
films available on demand
1
Region
British-Irish Isles
2
Central Asia and Far East
7
Central Europe
1
East Africa
4
London
1
Melanesia
1
Middle and Near East
2
North America
1
North and Northeast Africa
3
South America
3
South Asia
5
South-East Asia
3
South-East Europe
1
Southern Africa
2
West Africa
3
Country
Austria
1
Bangladesh
1
Botswana
2
Brazil
3
Cameroon
1
Egypt
1
Ethiopia
1
Ghana
1
Greece
1
India
3
Indonesia
2
Iran
2
Japan
6
Kenya
3
Morocco
1
Myanmar
1
Nepal
1
Nigeria
1
Pakistan
1
Papua New Guinea
1
Russian Federation
1
Uganda
1
United Kingdom
3
United States
1
Keywords
Alternative culture
1
Art / Artists / Artisans
2
Children / Young people
4
Collective / Community identity
1
Dance / Theatre / Performance
5
Development projects
1
Education / Knowledge Transmission
1
Ethnofiction
1
Family / Kinship
4
Festivals / Carnival
2
Film / Photography / Mass media
1
Gender Role and Identity
39
x
Herding
3
Intergenerational relations
2
LGBTQI*
2
Labour
3
Law and Legislation / Bureaucracy
5
Love
4
Marriage
9
Material Culture
1
Music / Ethnomusicology
1
Nomads and Nomadism
3
Political Activists
1
Popular Culture
1
Public Figure
2
Reflexivity
1
Religion / Belief / Faith
1
Resistance
1
Ritual
9
Sex / Sexuality
5
Shamans and Shamanism
1
Social Change
5
Social Conflict
2
Social Norms
3
Social Organisation
3
Socioeconomic conditions
3
Sport
2
Squatter Settlements / Homelessness
1
Tourism / Travel / Pilgrimage
1
Trade
1
War / Conflict / Reconciliation
1
Directors
Ayisi, Florence
1
Chambers, Simon
1
Curling, Chris
2
Harper, Peggy
1
Harries, Andy
1
Hawkins, Richard
1
Hughes-Freeland, Felicia
1
Hunt, Claire
1
Hunt, Clare
1
Kawanami, Hiroko
1
Kerlogue, Fiona
1
Kirk, Laura
1
Kurc, Julia
1
Lipsanen, Heidi
1
Llewelyn-Davies, Melissa
1
Longinotto, Kim
14
MacDonald, Caro
1
Milne, Claudia
1
Mir-Hosseini, Ziba
1
Moderbacher, Christine
1
Moffat, Zemirah
1
Morris, Bessie
1
Olatunji, Ife
1
Pollack, Claire
1
Sheppard, John
1
Singer, André
1
Sjøberg, Johannes
1
Speed, Frank
1
Wason, David
1
Werbner, Richard
2
Williams, Jano
3
Woodhead, Leslie
1
Series
Disappearing World Series
8
Granada Center for Visual Anthropology Student Film
7
not set
24
Country of production
Austria
1
India
1
Nigeria
1
Sweden
1
United Kingdom
39
x
United States
3
Year of production
1970
1
1974
1
1975
1
1977
1
1979
1
1980
1
1982
1
1988
1
1989
3
1990
2
1991
1
1992
1
1993
1
1996
2
1997
1
1998
3
2000
1
2001
2
2002
1
2003
1
2005
1
2006
1
2007
2
2008
1
2010
3
2013
1
2015
1
2016
1
2018
1
Film list
Asante Market Women
1982
52
‘
Directed by
Claudia Milne
.
As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this Disappearing World film have
West Africa
Marriage
Trade
Gender Role and Identity
Bailarinas
2003
32
‘
Directed by
Heidi Lipsanen
.
Majê Molê is an Afro-Brazilian dance group which offers girls and young women in Olinda, Northeast Brazil, the opportunity to rise above the poverty, drug addiction and crime that scars their
South America
Dance / Theatre / Performance
Gender Role and Identity
Children / Young people
Breaking the Yard
2018
21
‘
Directed by
Richard Werbner
.
"Breaking-the-Yard" documents the court hearings and troubled affairs of a quarrelsome young couple, a stay-at-home farmer and his police constable, town-savvy wife. They claim to be still
Southern Africa
Family / Kinship
Gender Role and Identity
Law and Legislation / Bureaucracy
Love
Marriage
Caught in Between
2016
56
‘
Directed by
Richard Werbner
.
The focus is on a leading village elder, John Lelatlhego, a retired Human Resources administrator trained in settling disputes in the South African mines. John gets entangled in the long troubled
Southern Africa
Family / Kinship
Gender Role and Identity
Law and Legislation / Bureaucracy
Love
Marriage
The Day I Will Never Forget
2002
92
‘
Directed by
Kim Longinotto
.
The documentary explores the local dimensions of the female circumcision debate in Kenyan societies. In a region of Kenya that is home to Muslims, Massai and Somali and crosscut by Christian
East Africa
Gender Role and Identity
Ritual
Law and Legislation / Bureaucracy
Political Activists
Divorce Iranian Style
1989
80
‘
Directed by
Kim Longinotto
.
This film is set in the Family Law Courts in central Tehran. The three main characters are Jamileh who punishes her husband for beating her, Ziba, a 16 year old girl who is trying to get a divorce
Middle and Near East
Marriage
Gender Role and Identity
Law and Legislation / Bureaucracy
Family / Kinship
Dream Girls
1993
50
‘
Directed by
Kim Longinotto
Jano Williams
.
This award-winning film opens a door into the amazing world of the Takarazuka Revue, the all-female theatre troupe in Japan. Thousands of young women aspire to perform in the Revue’s glitzy musical
Central Asia and Far East
Public Figure
Popular Culture
Dance / Theatre / Performance
Gender Role and Identity
Dreamcatcher
2015
98
‘
Directed by
Kim Longinotto
.
A film set in Chicago about an inspirational woman who has defied her past and now rescues girls and young women from a life on the streets.
North America
Gender Role and Identity
Labour
Sex / Sexuality
Eat the Kimono
1989
60
‘
Directed by
Kim Longinotto
Claire Hunt
.
A compelling biography of Hanayagi Genshu, a feminist and dancer who spent her lifetime defying the conservative traditions of Japanese society with her radical politics and unconventional
Central Asia and Far East
Public Figure
Gender Role and Identity
Art / Artists / Artisans
Dance / Theatre / Performance
Alternative culture
Every Good Marriage Begins With Tears
2007
63
‘
Directed by
Simon Chambers
.
East London Muslim girl Shahanara is changing form pink hot pants into a sari to meet her husband at the airport. She has only met him once before, when she was married in a union arranged by her
London
Family / Kinship
Gender Role and Identity
Marriage
Intergenerational relations
Social Norms
Fatmawati’s Wedding: the Weddings of two Sisters, the Preparations
1998
50
‘
Directed by
Fiona Kerlogue
.
This film records the preparations for the wedding of two sisters in eastern Sumatra in December 1996. There is an emphasis on the importance of the role of women in the village. Ritual exchanges
South-East Asia
Gender Role and Identity
Marriage
Ritual
Material Culture
Gaea Girls
2000
106
‘
Directed by
Kim Longinotto
Jano Williams
.
A film about courage, transformation and dreams in the extraordinary world of Japanese women’s wrestling. Gaea Girls focuses on the hopes and fears of the beleaguered Gaea Japan squad, whose
Central Asia and Far East
Gender Role and Identity
Sport
Gelede: A Yoruba Masquerade
1970
30
‘
Directed by
Frank Speed
Peggy Harper
.
Among the Yoruba of Western Nigeria and Dahomey the Gelede cult honours the earth spirits, the ancestors and especially the Great Mother. The festival filmed here emphasises the status of women and
West Africa
Gender Role and Identity
Ritual
Festivals / Carnival
Social Conflict
The Good Wife of Tokyo
1992
52
‘
Directed by
Kim Longinotto
Clare Hunt
.
Kazuko Hohki goes back to Tokyo with her band, the ‘Frank Chickens’, after living in England for 15 years. This wry and delightful film records her re-experiencing of Japan after a long absence,
Central Asia and Far East
Music / Ethnomusicology
Gender Role and Identity
Marriage
Social Change
Harpoons and Heartache
1998
28
‘
Directed by
Bessie Morris
.
Bessie Morris, a Greek-American, portrays the romantic relationships between Greek men and women tourists. She explores the story of Vassilis, a young male bartender in the tourist town of Hania, Crete.
South-East Europe
Tourism / Travel / Pilgrimage
Gender Role and Identity
Love
The Herders of Mongun-Taiga
1989
52
‘
Directed by
John Sheppard
.
The Tuvinians live deep inside the Soviet Union, at the very centre of Asia. Tuva is geographically closer to Peking than to Moscow. It only entered the USSR in 1944 and was closed to foreigners
Central Asia and Far East
Herding
Nomads and Nomadism
Shamans and Shamanism
Gender Role and Identity
Social Change
Hidden Faces
1990
52
‘
Directed by
Kim Longinotto
.
This film reveals contradictions in the lives of Egyptian women in Muslim society. Living abroad, Safaa Fathy returns to Egypt to interview the internationally renowned feminist writer Nawal El
North and Northeast Africa
Gender Role and Identity
Development projects
Hillside Beauties
2008
25
‘
Directed by
Julia Kurc
.
In a violent, marginalized and discriminated environment such as the favelas in Rio de Janeiro, women create a time and a space to construct their identities and their beauty. Marcella, Thuany and
South America
Gender Role and Identity
Socioeconomic conditions
Imbalu: Ritual of Manhood of the Gisu of Uganda
1988
69
‘
Directed by
Richard Hawkins
.
An insightful documentary, constructed with visual restraint, about the male circumcision ritual among the Gisu of Uganda. The narrative follows one male participant through the ritual and contrasts
East Africa
Ritual
Gender Role and Identity
Keepers of the Faith: The Buddhist Nuns of Sagaing Hills
1996
51
‘
Directed by
Hiroko Kawanami
.
In the Sagaing Hills, 12 miles from the ancient capital of Mandalay are hundreds of pagodas, stupas, monasteries and nunneries which form a focal point of worship for Buddhism in Burma. In 1986 the
South-East Asia
Religion / Belief / Faith
Collective / Community identity
Gender Role and Identity
Lessons from the Tiger
2010
22
‘
Directed by
Ife Olatunji
.
A brief glimpse into the Foundation Fior Di Loto girls’ school, this film explores the competing ideas of traditional and contemporary womanhood in Rajasthan, India. Four girls introduce us to the
South Asia
Gender Role and Identity
Children / Young people
Education / Knowledge Transmission
A Little Bit of Freedom
1998
34
‘
Directed by
Laura Kirk
.
This film is set in a traditional household in Nepal and documents a servant girl, Nani; a married woman, Sarita; and a mother-in-law, Ama. In interesting mixture of entrapment, duty and tradition unfold.
South Asia
Gender Role and Identity
Intergenerational relations
Marriage
Masai Manhood
1975
52
‘
Directed by
Chris Curling
.
This film was made after ‘Masai Women’ and in the same area. Together the two films provide a vivid view of Masai men and women and their place in Masai society. The Masai are pastoral nomads in
East Africa
Gender Role and Identity
Social Change
Ritual
Social Organisation
Nomads and Nomadism
Herding
Masai Women
1974
52
‘
Directed by
Chris Curling
.
The Masai are cattle herders living in the East African rift valley: they grow no crops and are proud of being a non-agricultural people. Cattle are the all-important source of wealth and social
East Africa
Gender Role and Identity
Social Change
Ritual
Social Organisation
Nomads and Nomadism
Herding
Men at Work
2010
32
‘
Directed by
Christine Moderbacher
.
"Men at Work" depicts the daily working life of one of the few remaining institutions in Austria that still employs only men. They are responsible for a 39 km stretch of Austria’s biggest
Central Europe
Gender Role and Identity
Labour
Mirror Mirror
2006
58
‘
Directed by
Zemirah Moffat
.
Mirror Mirror is based on an audio-visual ethnography of London’s queer Club Wotever. Begun in the autumn of 2003, it promoted itself as a club that welcomed all genders and sexualities – a
British-Irish Isles
LGBTQI*
Sex / Sexuality
Gender Role and Identity
Mursi: Nitha
1991
52
‘
Directed by
Leslie Woodhead
.
The proper time for a man to go through the Age Set Ceremony, the nitha, is just as he reaches physical maturity. But many years may elapse from one nitha to the next, so it is inevitable that some
North and Northeast Africa
Ritual
Social Conflict
Gender Role and Identity
The Pathans
1980
52
‘
Directed by
André Singer
Andy Harries
.
There are twelve million Pathans. Bound by a common language, a common heritage and the unifying force of Islam, these proud and independent people do not acknowledge the geographical boundary which
South Asia
War / Conflict / Reconciliation
Social Organisation
Gender Role and Identity
Pink Saris
2010
100
‘
Directed by
Kim Longinotto
.
Pink saris are worn by the Gulabi Gang, a group of women vigilantes in Northern India. From the untouchable caste, they resist being condescended to as the lowest social class. They have a champion
South Asia
Gender Role and Identity
Resistance
Socioeconomic conditions
Pushy Women
2001
23
‘
Directed by
Caro MacDonald
.
The modern Japanese woman has the world at her feet: she can pursue any career, wear whatever she likes, and spend her leisure time however she likes – even playing sumo. This film follows five young
Central Asia and Far East
Gender Role and Identity
Sport
Runaway
2001
87
‘
Directed by
Kim Longinotto
Ziba Mir-Hosseini
.
This film is set in a refuge for girls in Tehran and follows the stories of five girls who come here. These girls, in leaving a situation that has become intolerable, show incredible courage and
Middle and Near East
Children / Young people
Social Change
Gender Role and Identity
Salma
2013
90
‘
Directed by
Kim Longinotto
.
When Salma, a young Muslim girl in a south Indian village, was 13 years old, her family locked her up for 25 years, forbidding her to study and forcing her into marriage. During that time, words were
South Asia
Gender Role and Identity
Social Norms
Marriage
Art / Artists / Artisans
Shinjuku Boys
1997
54
‘
Directed by
Kim Longinotto
Jano Williams
.
A film about love and gender. This film is set in the New Marilyn night club in Tokyo where all the hosts are women who have decided to live as men. They make their living by working in a club with
Central Asia and Far East
Gender Role and Identity
Sex / Sexuality
Love
Sisters in Law
2005
104
‘
Directed by
Kim Longinotto
Florence Ayisi
.
Six year old Manka has run away from home, fleeing her abusive aunt. Sonita has daringly accused her neighbor of rape. Amina has decided to end her brutal marriage by taking her husband to court. Set
West Africa
Law and Legislation / Bureaucracy
Gender Role and Identity
Children / Young people
Some Women of Marrakech
1977
52
‘
Directed by
Melissa Llewelyn-Davies
.
In Marrakech, traditional attitudes to women prevail perhaps more strongly than in other Moroccan cities. This is especially true for those women who live by the standards of traditional ideals in
North and Northeast Africa
Gender Role and Identity
Labour
Dance / Theatre / Performance
Social Norms
Tayuban: Dancing the Spirit in Java
1996
30
‘
Directed by
Felicia Hughes-Freeland
.
Once a year a ritual is held in a Javanese village. After a distribution of food, men dance with professional female dancers. Their allegedly sexual ethos makes these ‘tayuban’ unacceptable as
South-East Asia
Ritual
Dance / Theatre / Performance
Sex / Sexuality
Gender Role and Identity
Theatre Girls
1979
57
‘
Directed by
Kim Longinotto
Claire Pollack
.
The “Theatre Girls Club” is a hostel for homeless, destitute and alcoholic women in Soho, London. It is run by six paid workers and it is the only hostel in London which takes any women at any
British-Irish Isles
Squatter Settlements / Homelessness
Socioeconomic conditions
Gender Role and Identity
Transfiction
2007
58
‘
Directed by
Johannes Sjøberg
.
Transfiction explores ‘ethnofiction’ – an experimental ethnographic documentary film style in which the participants collaborate with the filmmaker to act out their own and others’ life experiences
South America
Reflexivity
Film / Photography / Mass media
Gender Role and Identity
Sex / Sexuality
LGBTQI*
Ethnofiction
The Trobriand Islanders of Papua New Guinea
1990
52
‘
Directed by
David Wason
.
The Trobriand Islands lie off the eastern tip of Papua New Guinea. The island society has a complex balance of male authority and female wealth. Magic spells and sorcery pervade everyday life.
Melanesia
Gender Role and Identity
Festivals / Carnival
Ritual