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About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
RAI FILM
Login
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Twitter
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Login
Facebook
Instagram
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Films
3 Films
Keywords
“Marriage”
x
Year of production
“2009”
x
films with a digital version
2
short films
3
Region
British-Irish Isles
1
Central Asia and Far East
2
Country
China
2
United Kingdom
1
Keywords
Family / Kinship
1
Gender Role and Identity
1
History
1
Intergenerational relations
1
Marriage
3
x
Social Change
2
Directors
Asadullah, Sara
1
Rousso-Schindler, Steven
2
Seaman, Gary
2
Song, Zhifang
2
Series
Granada Center for Visual Anthropology Student Film
1
Song Family Village
2
Country of production
China
2
United Kingdom
1
United States
2
Year of production
2009
3
x
Film list
Marriage, Maoism and Modernity
2009
30
‘
Directed by
Zhifang Song
Gary Seaman
Steven Rousso-Schindler
.
This film outlines the types of marriage exchange practiced in a Chinese village over the last fifty years. Dowry, brideprice and exchange marriages have dominated the marriage market in turn as
Central Asia and Far East
Marriage
History
Social Change
Shonar Bangla
2009
28
‘
Directed by
Sara Asadullah
.
Four scenes from a Bangladeshi community in London. Each scene is an encounter with a different generation (children, teenagers and adults) until the final scene where all generations are brought together in a wedding.
British-Irish Isles
Intergenerational relations
Marriage
Song Family Village Takes a Bride
2009
27
‘
Directed by
Zhifang Song
Gary Seaman
Steven Rousso-Schindler
.
Most weddings in the village still reflect traditional patterns of patrilineal descent and patrilocal residence. The bride leaves her natal home to marry into her husband’s village, where she is a
Central Asia and Far East
Marriage
Family / Kinship
Gender Role and Identity
Social Change