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About
About RAI Film
Meet the team
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Watch on demand
Ethnographic Film Catalogue
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About RAI Film Festival
Film Festival 2025
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RAI FILM
Login
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Twitter
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Login
Facebook
Instagram
Twitter
Films
found one film
with a digital version available
x
Keywords
“Social Conflict”
x
Year of production
“2001”
x
Status
“A”
x
films with a digital version
1
x
Region
Melanesia
1
Country
Solomon Islands
1
Keywords
Indigenous peoples / First Nations peoples
1
Land Rights
1
Social Conflict
1
x
Socioeconomic conditions
1
Directors
Hawkins, Russel
1
Series
not set
1
Country of production
Australia
1
Year of production
2001
1
x
Status
Film
Since the Company Came
2001
52
‘
Directed by
Russel Hawkins
.
Set in the South Pacific, in a remote Solomon Islands village, ‘Since the Company Came’ is the story of a community coming to terms with social, cultural and ecological disintegration. When village leaders invite a Malaysian company to log their tribal land, the Haporai people of Rendova Island in the Solomon Islands find themselves at a difficult crossroads. Most of the men embrace the chance to earn money and participate in the modern economy; many of the women are more concerned with preserving the forests and traditions that sustain their families. At a village meeting, Chief Mark Lamberi calls into question the tribe’s finances, only to find himself the target of furious accusations from the new ‘big man’ of the community and Chairman of the logging project, Timothy Zama. The community is embroiled in conflicts over land ownership and logging royalties, conflicts that threaten the very core of their traditional social values. Mary Bea and Katy Soapi are two village women who are desperate to stop the logging before it destroys their land. Although women are custodians of land according to matrilineal tradition, their power is severely diminished. Forests have become a source of money, and money is the domain of men. Mary tells us: "Men don’t want to hear anything from women, but we women are actually the centre of life in our village." As Rendova’s forest rapidly disappears, the loggers turn to Tetepare, a nearby, pristine island held sacred by the villagers. Evocative archival footage from the 1920’s provides an insight into Solomon Islands’ colonial experience, and raises questions about the ongoing legacy of colonialism. We witness the ongoing disruption of their land and society, and see those same forces at work internally within the people themselves, even to this day. *The film has significant pedagogical value in anthropological, ecological, and economic instruction (…)The cinematography lends a sense of realism and sensitivity to the film. Guided only by visual imagery and indigenous voices, (the film goes) beyond western representations of global processes and faces (the viewer) with actual human impacts, illustrating the ongoing legacy of colonialism. We come to see that the manner of exploitation, which plays on vulnerabilities within traditional societies to the pressures and promises of westernization, has not changed much in the last century.* Keith Prufer, Dept. of Anthropology, Auburn University, for Anthropology Review Database
Melanesia
Land Rights
Indigenous peoples / First Nations peoples
Social Conflict
Socioeconomic conditions