Skip to content
RAI FILM
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
RAI FILM
Login
Facebook
Instagram
Twitter
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Login
Facebook
Instagram
Twitter
Films
found one film
with a Kanopy version
x
Country
“Brazil”
x
Series
“0”
x
Status
“A”
x
films hosted on Kanopy
1
x
films available on demand
1
Region
South America
1
Country
Brazil
1
x
Keywords
Essay film
1
Folklore
1
Gender Role and Identity
1
Reflexivity
1
Directors
van de Port, Mattijs
1
Series
not set
1
x
Country of production
Netherlands
1
Year of production
2020
1
Status
Film
The Body Won’t Close
2020
74
‘
Main Competition
Directed by
Mattijs van de Port
.
Our bodies are semi-permeable. All over the world, stories are being told about heroes who magically “close” their bodies, so as to become invincible. This film follows one such story, as it is told in Santo Amaro, Bahia (Brazil). Besouro Mangangà was a capoeira player, a black hero, who had closed his body. No bullets, no knives or daggers could pierce his skin. Bahian men explain how “closing the body” makes sense in their precarious and violent world, and why, in the end, this closure can never be accomplished. Soon the filmmaker realizes that his film is not only about the people in Bahia. He too is struggling with the porosity of his body, endlessly trying to strike a balance between shutting the world out and letting the world in.
South America
Essay film
Gender Role and Identity
Folklore
Reflexivity