Skip to content
RAI FILM
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
RAI FILM
Login
Facebook
Instagram
Twitter
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Login
Facebook
Instagram
Twitter
Films
found one film
Region
“North America”
x
Keywords
“Archival material Museum displays”
x
Directors
“Glass, Aaron”
x
Series
“0”
x
Country of production
“United States”
x
Year of production
“2004”
x
Status
“A”
x
short films
1
Region
North America
1
x
Country
Canada
1
Keywords
Archival material / Museum displays
1
x
Dance / Theatre / Performance
1
Indigenous peoples / First Nations peoples
1
Informant-researcher relationship
1
Ritual
1
Directors
Glass, Aaron
1
x
Series
not set
1
x
Country of production
Canada
1
United States
1
x
Year of production
2004
1
x
Status
Film
In Search of the Hamat’sa: A Tale of Headhunting
2004
33
‘
Directed by
Aaron Glass
.
The Hamat’sa (or “Cannibal Dance”) is the most important—and highly represented ceremony of the Kwakwaka’wakw (Kwakiutl) people of British Columbia. This film traces the history of anthropological depictions of the dance and, through the return of archival materials to a First Nations community, presents some of the ways in which diverse attitudes toward this history inform current performances of the Hamat’sa. With a secondary focus on the filmmaker’s fieldwork experience, the film also attends specifically to the ethics of ethnographic representation and to the renegotiation of relationships between anthropologists and their research subjects.
North America
Archival material / Museum displays
Dance / Theatre / Performance
Ritual
Informant-researcher relationship
Indigenous peoples / First Nations peoples